The fact that this is a “Sophie Sayers Village Mystery”
indicates from the start that the book will belong to the section of the crime
genre labelled “cosy”. And yet its opening lines introduce us to two shadowy
figures indulging in some far from cosy violence which results in one of them
falling to his death down the village well. Thereafter, we’re introduced to a cross-section
of the inhabitants of the village of Wendlebury Barrow and learn in
entertaining detail of their relationships, interactions and some relatively
harmless secrets. The distance between that opening violence and the minutiae
of their everyday lives couldn’t be greater. It’s obviously a deliberate
juxtaposition on the part of the author which, by setting the violence in a
simple, unthreatening context, increases its dramatic effect and,
simultaneously, the reader’s curiosity. That curiosity is sustained very
cleverly throughout the book because there’s no indication until very late in
the narrative of either the identity of the two people involved or the nature
of the dispute which leads to the killing. Instead, the two threads of
normality and violence are drawn together by an innocent and apparently
unrelated celebration the villagers are planning, which eventually creates the
circumstances for the killing and gradually reveals the victim and the
potential motives of several of the characters with whom we’ve become familiar.
As we near the climax, our suspicions are made to fall on some of these same innocents
in succession before the final revelation and resolution. The writing is
assured, the characters well drawn, and the various plot lines are often very
funny. It’s a highly entertaining and probably addictive book – addictive
because these are people with whom you’ll want to spend more time.
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