This is another lovely, absorbing read in the Strong Winds series. Once again, the
tempo of sailing in various vessels informs the narrative. Above and through
the machinations – innocent or otherwise – of the various individuals and
groups involved run the timeless winds, currents and flows of the elements. And
yet that’s a misleading over-simplification, because, as well as enjoying the
reassuring honesty of the children in the story and their delight in the
vessels they use, we’re exposed to less comforting themes: Liam’s growing
problems with his sight; the baffling realities of international intrigue; the
uncovering of family secrets; the different perspectives brought by the need to
care for those at the other end of the age spectrum. We share the infectious
joys of the younger protagonists and are troubled by their (not insignificant)
sorrows, and, at times, the relative ‘simplicity’ of the sailing is a soothing
counterpoint to complex patterns of family connections and past intrigues.
The children live in the moment and bring to their experiences an apparent simplicity, but one laced with mystery. Liam, for example, holds a shell to his ear to ‘check that the sound of the sea [is] safe inside’ and checks again later to make sure it’s ‘still there’. But they’re not just dreamers, they’re practical, reliable young people, not content with ‘learning about the world from a textbook’.
The children live in the moment and bring to their experiences an apparent simplicity, but one laced with mystery. Liam, for example, holds a shell to his ear to ‘check that the sound of the sea [is] safe inside’ and checks again later to make sure it’s ‘still there’. But they’re not just dreamers, they’re practical, reliable young people, not content with ‘learning about the world from a textbook’.
There’s the same refusal on the part of the narrator to
resort to straightforward ‘goodies’ and ‘baddies’. Airbrushing out the
unpleasant truths about Russian infiltrators and poisonous packages would have
been understandable, but it’s resisted, so we experience the highs and lows of
all these adventures without judgemental accompaniments. Like that of the real
world, this is a complex tapestry; it’s the fact that it’s usually seen from
the perspective of the children’s ‘simple’ ethics that defuses much of the
nastiness of what’s really happening. But, despite the plot’s potential for
disaster at various points, the overall theme, as always, is one of hope and a
trust in the basic goodness of people, and friends.
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