The story is built around the old traditions
of crofting and droving in Scotland. Drovers and their dogs keep the cattle
moving on long treks from the Highlands and Islands to the markets on the other
side of the country. As they then stay to oversee the selling of their stock,
their dogs make their own way home. This book reverses the process in that we
first experience the dogs’ return, which, serendipitously for Sandy, a young
boy running away from the ill treatment he’s been getting from the farmer to whom
his mother sold him, coincides with his escape. It also reverses beautifully
the assumptions we have about the relationship between humans and dogs because,
as the author makes clear, it’s the two dogs who are in charge on this journey
as they herd Sandy along the route they’ve chosen. They’re going home and
taking Sandy with them.
To avoid spoilers, I’ll say nothing about
how the story develops once they reach their destination. It does, though,
involve yet another reversal as the dogs leave home again and Sandy goes with
them; a new outward journey for them, a return for him. Add to all this the
fact that I read the whole book on my own 2½ hour train journey from the East
of Scotland to the West and there’s a satisfying symmetry about the whole
thing.
It was a joy to read. There were hardships
aplenty for Sandy, and the author spares us little of the deprivations the poor
had to suffer. The precarious and often cruel nature of rural life in 19th
century Scotland is carefully sketched. The characters, including those of the
dogs, are conveyed in light but telling touches, and the overall style has a
warmth and a tenderness that, for all the indignities that Sandy has to suffer
and the unfairness of the laws governing child labour, hints at where true
nobility and humanity lie. This is the Scotland of myth and romance, but this
author knows better than to trade in stereotypes. She tells the whole story,
the good and the bad; hinting at the social and economic changes that affect
the whole way of life of these people and will affect them even more powerfully
as new ways of travelling and doing business are developed. But at the story’s
core, it’s always the people who matter: Sandy, the drovers, the crofters, the
families, and of course the dogs. It’s a realistic, unsentimental yet happy tale,
made all the more touching by the fact that the narrator is Sandy himself, but
as a grown man who can convey the immediacy of his sufferings and joys as a boy
but put it all in the wider context of his own maturity and the changes he has
seen in life in Scotland.
Forget about Brigadoon. This is really what
it was like. And it’s a terrific story, beautifully told.
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