'Much of the time, watching their golden existence, he carried
on alone, like some tiny rocky planet orbiting twin suns, so far out as to feel
little warmth.'
Valerie Laws's The Rotting Spot is
a thriller, and a very good one at that; but it's ultimately about love and
loss, the corrosive effects of secrets, and the skeletons (or should that be
skulls?) that sometimes rattle around in the most apparently innocent of
closets. It is also - as the passage above testifies - extremely well-written.
Much of the action centres around
Erica, a pint-sized homoeopathist who, in her spare time, loves nothing more
than collecting skulls. Yes, you read that correctly: it's a hobby she picked
up from her erstwhile friend and employer, skull hunter Mickey, whose passion
in life is amassing the crania of dead animals. 'The rotting spot' of the title
refers to the place where Mickey leaves the severed heads to decay, until the flesh
and soft material is stripped away, leaving only bone . . . It may sound vile,
but it's just a harmless, albeit eccentric, hobby. Or is it? The novel keeps
you guessing, on that and many other points. The ultimate prize for the
committed skull hunter is, after all, a human skull . . .
When Lucy, Erica's childhood
friend, goes missing, the police are initially reluctant to take a great deal
of action (understandably - an adult is perfectly entitled to wander off if he
or she wants to). However, Erica is unconvinced that Lucy's vanished of her own
free will: she had a good life, not to mention a young son. In fact, Erica
quickly begins to suspect that Lucy's disappearance has something to do with
the almost-parallel vanishing, years before, of her cousin Molly. What follows
is a complex and clever mystery, in which the layers of ordinary family life
are stripped away like - well, like flesh from bone, I suppose.
Erica's pursuit of the truth
brings her into contact with Inspector Will Bennett, who is also investigating
Lucy's disappearance. They soon develop a sort of love-hate relationship: they
clash repeatedly, and yet are constantly drawn back to each other, eventually
forming an odd, unofficial partnership. Will personal or professional sparks
fly? Given Valerie Laws's penchant for surprising her readers, it's as well not
to assume anything.
Laws is also a poet - known,
amongst other things, for spray-painting quantum theory onto a flock of sheep,
no less - and what makes The Rotting Spot stand out amongst thrillers is the
beautiful, evocative writing. Laws's familiarity with, and affection for, North
East England comes through in every page and every vivid place description.
It's there too in the local dialect used by many of the characters. Reproducing
dialect in writing is difficult, at least if it's to be effective and not
annoying, but Laws succeeds beautifully; it helps the characters to come to
life, so real and vivid that they all but leap off the page.
And yet, gorgeous writing
notwithstanding, the pace rarely slows. Even as the characters question
themselves and each other, so too does the reader. Things are never quite what
they seem - the line between heroes and villains is constantly blurred, not
least because the characters are all drawn with just the right level of
psychological complexity. Nobody can be taken at face value. And in a crime
novel, of course, this is a very good thing - who can be trusted? What secrets
are people hiding? The tension that follows in the wake of these questions keeps
on rising. And the end, when it comes, features a twist that, like many a good
twist, surprises us - and yet, when we look back, not only makes sense but
seems almost inevitable.
To buy The Rotting Spot, go to
Amazon.com or Amazon.co.uk.
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