Review by Bill Kirton
Another book which proves that Chris Longmuir, who wrote the
prize-winning Dead Wood, knows the
ingredients you need for a tense, satisfying crime novel and can put them
together in a way that keeps multiplying the cliff-hangers and keeps you asking
what will happen next. The story is set in an atmospherically-conveyed Dundee,
the people and their contacts are created with those little touches of
‘ordinary’ behaviour that enhances their reality and behind them all, creeping
through the book’s shadows, there’s an anonymous figure determined to complete
the ‘missions’ set by the voice he hears in his head. He’s introduced in the
opening paragraphs as, already responsible for at least one murder, he arrives
in the city with his next victim already chosen and an absolute certainty that
he’s doing the right thing.
Cleverly, though, some of the ‘normal’, ordinary people who
make up the small cast of central characters, are equally driven – by power,
lust, revenge – and equally capable (or so it seems) of extreme actions to
achieve their aims. Although there are clearly goodies and baddies, trust is in
short supply. In their cases, there’s no inner voice urging them to destroy the
lives of others, but their motives and impulses are potentially just as deadly.
Love is transactional, infidelity is the norm and Longmuir keeps the focus tightly
on them as the night watcher observes them from his shadows. The resolution is
delayed up to the final pages with not just one twist, but two.
It’s a very enjoyable read from a writer who knows exactly what
she’s doing.
No comments:
Post a Comment