Lev Butts Reviews Fields of Gold: The Orchid and the Rose by Jim Stephens

I'm a sucker for coming of age stories and good World War II dramas (one of my favorite WWII stories is Herman Wouks' duology The Winds of War and War and Remembrance). Jim Stephens' Fields of Gold: The Orchid and the Rose is both, and it is really well done.

The novel tells the story of Matt Weldon, a spoiled and arrogant young American who finds himself in London on the eve of war. He very soon falls for a mysterious woman he meets at a party. Shortly after this, he must decide between her and the girl from his past as the forces of history sweep them in its wake. This dilemma, played against the backdrop of the world at war, forces Matt to mature in ways he never expected, to learn the value of hard decisions, and to appreciate the effects such decisions have not only on himself, but others.

Is the story perfect? Of course not; few books are. There are places that might use a bit more editing: words that need consistent spelling, sections that tend to retell the same stories, and incidents that may seem unnecessarily gratuitous. But this, for the most part, is a matter of opinion. I found most of the scenes other reviewers deemed gratuitous to be effective attempts to establish historical touchstones, thematic parallels, or effective ambiance. Most of the retold stories are slightly different versions from other points of view, so that we generally get a new interpretation of the events on subsequent retellings.

For me, the novel has two major aspects for recommending it: Stephens is adept in his historical research, and it shows in his ability to weave a fictional story around the historical details of the 1930's and 40's. Secondly, he experiments with his points of view: some sections are told in third person, others in first, and others through letters exchanged between the main characters. (Anyone who has read my work knows I am particularly interested in how a story is told as much if not more than what the story actually is, so I appreciate a good point of view shift).

Fields of Gold: The Orchid and the Rose is available in paperback and eBook here.

That Burning Summer by Lydia Syson reviewed by Julia Jones

 I was persuaded into buying That Burning Summer by an outstandingly good blog on the History Girls's outstandingly good blog site. In it Lydia Syson described the mix of family reminiscence (from her WW2 grannies), love of a particular place (Romney Marsh), the influence of her children's enthusiasms and her own historical realisations -- the courage of some Peace Pledge Union members, the uses and abuses of propaganda, that exploitation and abandonment of Britain's Polish allies -- that had fed in to her 1940 Battle of Britain novel. What I particularly liked about Syson's blog was the way she concluded. "All these ideas kept swirling around my head as I wrote [...] You won't find many direct references to them in the story that finally came out, 'the tale of a girl a boy and a crash-landing' - Peggy, Ernest, and Hendryk - but they're there in the warp and the weft of the novel."

Now that seems to me to be exactly the right place for research -- 'in the warp and the weft of the novel', completely assimilated. It's so tempting, isn't it? in the excitement of historical discovery, to Write All You Know. 

The other temptation is to think that, because you've researched something very similar yourself, that you already Know It All. The quantity of work I put into editing the most recent edition of Margery Allingham's The Oaken Heart (her autobiographical account of the same period) had given me a tendency towards WW2 Home Front fatigue. I realised I was wrong when I read Kathleen Jones's excellent novel The Sun's Companion and I realised it all over again as I became engrossed by That Burning Summer. Novelists like Jones and Syson use their intelligence, their imagination and their integrity to remind us that the war was different to every individual who endured it. 

Syson knows and loves her locality. She doesn't make a big deal out of this but conveys the beauty and the loneliness of the marsh, especially after the sheep have been removed and the Lookers who would normally be watching over them are instead scanning the skies for invaders. The single detail of the crashed aircraft gulped into the greedy mud suggests that the marsh as an actor in its own right. It will conceal some thing s utterly: others, like the hastily buried parachute, it will give up again. The humans who live there cannot control the marsh, they must understand it and negotiate. That Burning Summer conveys the isolation and oppressiveness of the small village community as well as its closeness. Peggy, Ernest and their mother have come back to the farm where their mother grew up but they have come back as strangers, and, worse, as strangers trying to keep a secret. Their desperate sense of strain is one of the best things in the book. 

Peggy, the 16 year old heroine, reacts to strain by gabbling, behaving erratically, being gawky, self-conscious, suspicious. Henryk, the Polish pilot who has seen and suffered more than his RAF colleagues can conceivably understand, has gone beyond mere strain and has run out of courage. He has deserted. The intensity of the feeling that builds between him and Peggy is beautifully handled. Syson's outstanding character, for me, is Ernest, the 12 year old who has not been let into anyone's secrets and who is struggling to cope with the hailstorm of official regulation and instructions. Ernest IS earnest, he's possibly just this side of Aspergers but he's utterly credible, comic and touching -- the true son of the absent father, whose determination to adhere to his pacifist beliefs is making life so unusually difficult for his family. 

There are no easy answers in That Burning Summer -- as there were none in the summer of 1940. There is however plenty of unpretentiously excellent and varied writing and a kindliness in the characterizations that make it a thoroughly enjoyable read as well as an admirable piece of historical re-creation. 

That Burning Summer by Lydia Syson is available as a Kindle ebook or as a paperback

Lydia Syson's photo of an isolated church on Romney Marsh

Death Order by Jan Needle

Death Order

by Jan Needle

Historical Fiction
Published by Endeavour Press Ltd 2013

Churchill once said ‘There are a terrible lot of lies going about the world, and the worst of it is that half of them are true’.  History, as we all know, is a very unreliable narrator and the viewpoint of the story depends on who is telling it.

One of the great mysteries of the Second World War is the flight to Scotland, in 1941, of Rudolf Hess - Hitler’s deputy.  He came, apparently, to sue for peace, but was imprisoned in Britain, put on trial with the rest of the Nazi high command at Nuremburg and jailed for life as a war criminal in Spandau. Though he had never been part of the horror machine that unfolded during the later years of the war, he was never released and died, equally mysteriously, at the age of 93, in Spandau prison. 

Was the man in Spandau really Rudolf Hess, or was he - as many people claimed - a man called Albert Horn? Did he commit suicide, as the Allies claimed?  Or was he killed to prevent his real identity being revealed to create a Humanitarian scandal of epic proportions.

This is more than a conspiracy theory - of which there are trillions - this is a beautifully researched, well substantiated theory.  Jan Needle has clothed it in fictional form (or should that be factional?) to create a stunning novel. It’s as pacey and compelling as a Dan Brown and much better written.  The central male character - the burnt-out MI6 operator Bill Wiley, and the spy turned academic Edward Carrington - are utterly real.  The female characters - Erica, Hannele and Jane - are intelligent, feisty and equally believable.  There’s some fantastic sex!

But the best thing is the way that this book exposes the lies that governments tell that can’t be found out until the papers are released decades after the events.  The Iraq war, with its sexed-up dossiers and phoney weapons-of-mass-destruction, was only the latest in a long line of cover-ups and propaganda coups.  The Watergate scandal that brought down Richard Nixon came out of nefarious doings in the Vietnam/Cambodian conflict.  We probably shouldn’t believe anything we’re told.  ‘History,’ as Edward remarks in the book, ‘is bunkum’.

Death Order by Jan Needle
originally published by Harper Collins as ‘Butcher’s Bill’

© Kathleen Jones

Kathleen blogs at http://www.kathleenjonesauthor.blogspot.com

Visit her website at www.kathleenjones.co.uk