tag:blogger.com,1999:blog-17597600310218944482024-03-05T06:54:20.897+00:00Eclectic ElectricE-BOOK REVIEWS from Authors ElectricSusan Pricehttp://www.blogger.com/profile/07738737493756183909noreply@blogger.comBlogger351125tag:blogger.com,1999:blog-1759760031021894448.post-6631535812951586162018-12-30T16:12:00.000+00:002018-12-30T16:13:27.373+00:00Totally engrossing<div class="MsoNormal">
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<span style="font-family: Trebuchet MS, sans-serif; font-size: large;">This is another lovely, absorbing read in the <i>Strong Winds</i> series. Once again, the
tempo of sailing in various vessels informs the narrative. Above and through
the machinations – innocent or otherwise – of the various individuals and
groups involved run the timeless winds, currents and flows of the elements. And
yet that’s a misleading over-simplification, because, as well as enjoying the
reassuring honesty of the children in the story and their delight in the
vessels they use, we’re exposed to less comforting themes: Liam’s growing
problems with his sight; the baffling realities of international intrigue; the
uncovering of family secrets; the different perspectives brought by the need to
care for those at the other end of the age spectrum. We share the infectious
joys of the younger protagonists and are troubled by their (not insignificant)
sorrows, and, at times, the relative ‘simplicity’ of the sailing is a soothing
counterpoint to complex patterns of family connections and past intrigues.</span><br />
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<span style="font-family: Trebuchet MS, sans-serif; font-size: large;">The children live in the moment and bring to their
experiences an apparent simplicity, but one laced with mystery. Liam, for
example, holds a shell to his ear to ‘check that the sound of the sea [is] safe
inside’ and checks again later to make sure it’s ‘still there’. But they’re not
just dreamers, they’re practical, reliable young people, not content with
‘learning about the world from a textbook’.</span></div>
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<span style="font-family: Trebuchet MS, sans-serif; font-size: large;">There’s the same refusal on the part of the narrator to
resort to straightforward ‘goodies’ and ‘baddies’. Airbrushing out the
unpleasant truths about Russian infiltrators and poisonous packages would have
been understandable, but it’s resisted, so we experience the highs and lows of
all these adventures without judgemental accompaniments. Like that of the real
world, this is a complex tapestry; it’s the fact that it’s usually seen from
the perspective of the children’s ‘simple’ ethics that defuses much of the
nastiness of what’s really happening. But, despite the plot’s potential for
disaster at various points, the overall theme, as always, is one of hope and a
trust in the basic goodness of people, and friends.</span></div>
Bill Kirtonhttp://www.blogger.com/profile/16345949773423764808noreply@blogger.com2tag:blogger.com,1999:blog-1759760031021894448.post-16584055065623271832018-09-16T22:51:00.000+01:002018-09-16T23:06:55.983+01:00Lev Butts Reviews Dracul by Dacre Stoker and J. D. Barker<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEij-fIMPEDsqspnnTYgrD43Z-XPR79EajrRFefFW8yC0k0lLaRKAHw3Rnk9u0FkYrvcp-i-eOvVGISAdEJuKLe02YtpWYC6kjiyUEi0fJxiK_B5d6bdosfNFo4-4in2skNJ3NahOFE1qv_3/s1600/91hTAsQX2xL.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1061" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEij-fIMPEDsqspnnTYgrD43Z-XPR79EajrRFefFW8yC0k0lLaRKAHw3Rnk9u0FkYrvcp-i-eOvVGISAdEJuKLe02YtpWYC6kjiyUEi0fJxiK_B5d6bdosfNFo4-4in2skNJ3NahOFE1qv_3/s320/91hTAsQX2xL.jpg" width="211" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">American Edition</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWvGk9B8LX20jk7hokXwxo2WwMw65wXK9YdL8uOkV_cp_ubNo0d9aGlmeX-3TSzFerpQhEApMQltmEWnaGb8lYFcSkamm3GKR1hB9-zVFTnOqwfAXesYZOm7CQ5buuyUAV-26mAf_Ua3sD/s1600/38095084.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="475" data-original-width="309" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWvGk9B8LX20jk7hokXwxo2WwMw65wXK9YdL8uOkV_cp_ubNo0d9aGlmeX-3TSzFerpQhEApMQltmEWnaGb8lYFcSkamm3GKR1hB9-zVFTnOqwfAXesYZOm7CQ5buuyUAV-26mAf_Ua3sD/s320/38095084.jpg" width="208" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">UK Edition</td></tr>
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A few years ago, I stumbled across the authorized sequel to Bram Stoker's <i>Dracula</i>, <i><a href="https://www.amazon.com/dp/B002Q6XUQW/ref=dp-kindle-redirect?_encoding=UTF8&btkr=1" target="_blank">Dracula the Un-Dead</a></i> that was co-written by Bram's great grandnephew <a href="https://en.wikipedia.org/wiki/Dacre_Stoker" target="_blank">Dacre Stoker</a>. It took place about two decades after the original novel and followed the original Crew of Light as they crossed paths again with Count Dracula and fought a second vampire, Elizabeth Báthory. It was an enjoyable read, based partly on Bram's original notes for both <i>Dracula</i> and a possible sequel, partly on historical records, and partly on Dacre's own imagination. I recommend it heartily, if for nothing else than the subplot following Detective Cotford of Scotland Yard, a disgraced inspector who helped work the original Jack the Ripper murders (and a character Bram had originally intended for <i>Dracula</i> but apparently dropped in the drafting stage), as he investigates a series of murders he fears indicates the Ripper's return. It was a lot of fun, and I could not put it down, but it was not by any means a perfect book. As much as I enjoyed it and held hope for a second sequel, it didn't really feel a true sequel to <i>Dracula</i>. Perhaps it was the lack of the epistolary form, but it feels like more of a sequel to Coppola's film adaptation of the novel more than of the novel itself.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHbg8at2DVyFiIPxbZTw-EAOESHA4q0S6GQ-Dso2o1f7EjoU7v6Dj_TdsAVNUVPgSqpfzo-DseBlTFcggmmBTdK5VpR42nvN6X11IfueBhfuYigAwIM15i_e9YsqZw5NPWx769Kq7CNB2W/s1600/518I9yyQt2L._AC_SY400_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="400" data-original-width="265" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHbg8at2DVyFiIPxbZTw-EAOESHA4q0S6GQ-Dso2o1f7EjoU7v6Dj_TdsAVNUVPgSqpfzo-DseBlTFcggmmBTdK5VpR42nvN6X11IfueBhfuYigAwIM15i_e9YsqZw5NPWx769Kq7CNB2W/s320/518I9yyQt2L._AC_SY400_.jpg" width="212" /></a></div>
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<i><a href="https://www.amazon.com/Dracul-Dacre-Stoker-ebook/dp/B079WNXNXS/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1536886263&sr=1-1&keywords=dracul" target="_blank">Dracul</a></i>, however, is an entirely different story. Not only is it a prequel to <i>Dracula</i> completely unrelated to Dacre's previous sequel, it is so much more than an enjoyable read: It truly feels like part of the "canon" of <i>Dracula</i>. Based largely on the Stoker family's documented history and again on Bram's journals and notes for the original novel, Dacre and Barker expertly craft a decades-long mystery around the Stoker family.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtPe42ravPTEaP9fdv8DjUX_0M5msB3WLRlQVaxya06L41PJ-lHrgVMyzO8ZW6QQ5pdLmPPoB_48rusSKUDJhavBk01Axgx5hdpfNcrkrPdUIx-MCluj2dkLxKTxIQnL3FwLY9qmGWu1VF/s1600/bramstoker_age25.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1138" data-original-width="1422" height="160" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtPe42ravPTEaP9fdv8DjUX_0M5msB3WLRlQVaxya06L41PJ-lHrgVMyzO8ZW6QQ5pdLmPPoB_48rusSKUDJhavBk01Axgx5hdpfNcrkrPdUIx-MCluj2dkLxKTxIQnL3FwLY9qmGWu1VF/s200/bramstoker_age25.jpg" width="200" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Bram Stoker, aged 25, roughly the <br />
age he is during the events of the novel</td></tr>
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When I first learned about the novel, I admit I had my doubts: How could this be a "prequel" to <i>Dracula </i>if Bram Stoker, along with his older brother Thornley and his younger sister Matilda, is the protagonist? I assumed it was really more of a fictionalized story of how Stoker came to write <i>Dracula</i>.<br />
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And it is.<br />
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But it is also a chronological sequel to Bram's novel.* The Dracula who appears within the pages of this new novel is very clearly the Dracula from Bram's original text. He is decidedly <i>not </i>the Dracula from Coppola's film: there is nothing remotely sympathetic in this iteration. This is the first thing I enjoyed about this book. I grow weary of overly romanticized vampires that are more clones of Anne Rice's Lestat** than Stoker's Dracula.<br />
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The romantic vampire has been done to death (pardon the pun). I want a vampire that truly strike's fear in the heart, and the novel's Dracula does exactly that. In Dacre and Barker's hands the Count<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_5kL5l5bs8qd289cjWoiQhn3tFGvL1bsF0MwWS_RHU4P9JK9DFi5s2BqRSRG0sLqwFeKnjpoin0SYXcbVJSycg5rjf8pBV8AqavXqilYWSXb461mSoOY1X6Me-15EYVUaqPjr1CY0mmV2/s1600/william_thornley_stoker_original.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="311" data-original-width="220" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_5kL5l5bs8qd289cjWoiQhn3tFGvL1bsF0MwWS_RHU4P9JK9DFi5s2BqRSRG0sLqwFeKnjpoin0SYXcbVJSycg5rjf8pBV8AqavXqilYWSXb461mSoOY1X6Me-15EYVUaqPjr1CY0mmV2/s200/william_thornley_stoker_original.jpg" width="141" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Thornley Stoker</td></tr>
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becomes just as evil, just as terrifying as he was the first time we saw him through the pages of Jonathan Harker's journals, lying in his coffin surrounded by worm-ridden soil.<br />
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I also enjoy the blend of first-person epistolary and third person omniscient narrators. You might not think such a switching of narrators would work, but it does so exceedingly well. And each of the epistolary narrators (Bram, Thornley, and Matilda Stoker) has his or her own distinctive voice. The editing here is also superb: Each narrator's section ends on a perfect cliffhanger, and the next section inevitably gives the reader important information relevant to the previous section before resolving the dilemma. The narrators move like a well choreographed waltz: each weaving in and out of each other as it progresses across the floor, while from above, the whole appears as organized and fluid as a well-oiled machine.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjR_1qO3u2IHqFrxRd1tx5mwpwzsRMkS-E093fnpOI3lrgxwTRFPS4-ng-4xD1Kztdwg4n_PGzo9cCjYTTvgrpn9xw4gIosZiIlonwTWpMkAe3otdWLkU6c3ZrBcV504Echq7c2S3IBu5mF/s1600/Matilda.png" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="275" data-original-width="178" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjR_1qO3u2IHqFrxRd1tx5mwpwzsRMkS-E093fnpOI3lrgxwTRFPS4-ng-4xD1Kztdwg4n_PGzo9cCjYTTvgrpn9xw4gIosZiIlonwTWpMkAe3otdWLkU6c3ZrBcV504Echq7c2S3IBu5mF/s200/Matilda.png" width="129" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Matilda Stoker</td></tr>
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The best part of the novel, however, is the Authors' Note at the end in which they relate the family historical data pertinent to the novel, after reading this, especially the seeing the bits of history missing from the historical record, it becomes easier to believe the events true, and to fear that vampires exist. I am not speaking hyperbolically in the least here. The effect of the note is the literary equivalent of the best <i>Twilight Zone</i> endings. Don't skip it when you're done.<br />
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In short, <i>Dracula the Un-Dead</i> was an enjoyable romp through what might have happened after <i>Dracula </i>ended and young Quincey Harker grew up, and I do recommend you read it, but it was never going to be on par with the original novel. <i>Dracul</i>, however, is not only a worthy precursor to Bram Stoker's classic; it is itself an expert piece of narrative work, smoothly weaving threads of truth and fiction into one seamless cloth. When I first received my review copy, I expected to enjoy the book as a quick summer read, but I never expected to find myself as intrigued by it intellectually as I did. Dacre and Barker's <i>Dracul </i>is so much more than just a great sequel to a classic literary masterpiece. It is itself a work of fiction worthy of its own scholarly study.<br />
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The book is released on October 2, 2018, giving you just enough enough time to read it before Halloween. Do that. You will not be sorry.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDLOBWftbawtRDVcADZl8SR-GvnoGbrpwT0ZfaXbdPUdvwQuOYGIdmu4t3aJ56Y1b8DSRqgkuSM-SHTLKKiNvihgzfnYSrRSidU8DW0B4TyHNvKXszNtguY2SAHKjYoqCUGrgcexwww61i/s1600/Dacre-Stoker-%2540-Todd-Lista.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="257" data-original-width="197" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDLOBWftbawtRDVcADZl8SR-GvnoGbrpwT0ZfaXbdPUdvwQuOYGIdmu4t3aJ56Y1b8DSRqgkuSM-SHTLKKiNvihgzfnYSrRSidU8DW0B4TyHNvKXszNtguY2SAHKjYoqCUGrgcexwww61i/s200/Dacre-Stoker-%2540-Todd-Lista.jpg" width="152" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Dacre Stoker</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiChPNAfzpNTWhun0s-U_41wAkDV_Qs96AYLIYvtFSQfMTdOb7jUO0jnFOkQWJMBgh1Lmb7QEI8TPrq-d1n4izhRzi7S_nxeMPhn3AzhFhBOXxQLbpB3hSQIvBDynPg2DskmvZKgBBZZkfE/s1600/book-review-forsaken.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="408" data-original-width="339" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiChPNAfzpNTWhun0s-U_41wAkDV_Qs96AYLIYvtFSQfMTdOb7jUO0jnFOkQWJMBgh1Lmb7QEI8TPrq-d1n4izhRzi7S_nxeMPhn3AzhFhBOXxQLbpB3hSQIvBDynPg2DskmvZKgBBZZkfE/s200/book-review-forsaken.jpg" width="165" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">J. D. Barker</td></tr>
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*Read the original Author's Note to <i>Dracula</i>; it provides a surprising justification for the prequel focusing on the Stokers.<br />
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**Don't get me wrong, I love Rice's <i>Interview with a Vampire</i>, and Lestat is perfectly drawn for the role he plays in his own series. So perfect, in fact, that I find most attempts sympathetic, romantic vampires merely imperfect clones of Lestat, and thus superfluous.<br />
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<br />Leverett Buttshttp://www.blogger.com/profile/05822160835689818255noreply@blogger.com0tag:blogger.com,1999:blog-1759760031021894448.post-71211717007035393442018-07-22T02:49:00.000+01:002018-07-22T02:49:00.279+01:00Lev Butts Reviews Fields of Gold: The Orchid and the Rose by Jim Stephens<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZX0U0vcYY-5jGrUHZTs6DXW98Zj-J5FAHeOjaRY3UV5WdGz7xpTzyMyiWEq5MDZeIoHr-aQ5ifxN4PLypq95qs_ksBugkxE7xGYErH77vS1fhmKSaseBqYD4Thf52oE4A6RsEm1W88Ac/s1600/51SejuKyZhL._SX331_BO1%252C204%252C203%252C200_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="499" data-original-width="333" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZX0U0vcYY-5jGrUHZTs6DXW98Zj-J5FAHeOjaRY3UV5WdGz7xpTzyMyiWEq5MDZeIoHr-aQ5ifxN4PLypq95qs_ksBugkxE7xGYErH77vS1fhmKSaseBqYD4Thf52oE4A6RsEm1W88Ac/s320/51SejuKyZhL._SX331_BO1%252C204%252C203%252C200_.jpg" width="213" /></a></div>
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I'm a sucker for coming of age stories and good World War II dramas (one of my favorite WWII stories is Herman Wouks' duology <i>The Winds of War</i> and <i>War and Remembrance</i>). Jim Stephens' <i>Fields of Gold: The Orchid and the Rose </i>is both, and it is really well done.</div>
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The novel tells the story of Matt Weldon, a spoiled and arrogant young American who finds himself in London on the eve of war. He very soon falls for a mysterious woman he meets at a party. Shortly after this, he must decide between her and the girl from his past as the forces of history sweep them in its wake. This dilemma, played against the backdrop of the world at war, forces Matt to mature in ways he never expected, to learn the value of hard decisions, and to appreciate the effects such decisions have not only on himself, but others.<br />
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Is the story perfect? Of course not; few books are. There are places that might use a bit more editing: words that need consistent spelling, sections that tend to retell the same stories, and incidents that may seem unnecessarily gratuitous. But this, for the most part, is a matter of opinion. I found most of the scenes other reviewers deemed gratuitous to be effective attempts to establish historical touchstones, thematic parallels, or effective ambiance. Most of the retold stories are slightly different versions from other points of view, so that we generally get a new interpretation of the events on subsequent retellings.<br />
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For me, the novel has two major aspects for recommending it: Stephens is adept in his historical research, and it shows in his ability to weave a fictional story around the historical details of the 1930's and 40's. Secondly, he experiments with his points of view: some sections are told in third person, others in first, and others through letters exchanged between the main characters. (Anyone who has read my work knows I am particularly interested in how a story is told as much if not more than what the story actually is, so I appreciate a good point of view shift).<br />
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<i>Fields of Gold: The Orchid and the Rose</i> is available in paperback and eBook <a href="https://www.amazon.com/Fields-Gold-Orchid-Jim-stephens/dp/0989030903/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=&sr=" target="_blank">here</a>.</div>
Leverett Buttshttp://www.blogger.com/profile/05822160835689818255noreply@blogger.com0tag:blogger.com,1999:blog-1759760031021894448.post-23593377188664648892018-06-10T11:46:00.002+01:002018-06-10T11:46:49.724+01:00Plots and Plotting written by Diana Kimpton<h3>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjt3_oodBOYK57H2jI-cVVGETF-DAD7LfJ7JH-WTXhc0aycVqcGkl6m7rApQ_oy_I1j1-1e0-SEtsOC1h7C4piekfrTzdShu3SM-mVyIXhfqQuA7MjvgnXk6nUU0d19hZED9tTYsI_q-cIK/s1600/Screen+Shot+2018-06-10+at+11.07.20.png" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="586" data-original-width="390" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjt3_oodBOYK57H2jI-cVVGETF-DAD7LfJ7JH-WTXhc0aycVqcGkl6m7rApQ_oy_I1j1-1e0-SEtsOC1h7C4piekfrTzdShu3SM-mVyIXhfqQuA7MjvgnXk6nUU0d19hZED9tTYsI_q-cIK/s400/Screen+Shot+2018-06-10+at+11.07.20.png" width="265" /></a></h3>
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<span style="font-family: inherit; font-size: large;"><a href="https://www.amazon.co.uk/dp/B07BYB1KFR/?tag=geolinker-21" target="_blank">Plot and Plotting - How to create stories that work</a></span></h3>
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<span style="font-family: inherit; font-size: large;">Author: <a href="https://www.dianakimpton.co.uk/" target="_blank">Diana Kimpton</a></span></h3>
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<span style="font-family: inherit; font-size: large;"><span style="font-weight: normal;">Firslty a little about the author and her credentials for writing this title. Diana has been an author for almost 30 years and in that time has written more than 40 books, lots of articles and some scripts. So she has a lot of knowledge to share.</span></span><br />
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<span style="font-size: large;"><span style="font-family: inherit;"><span style="font-weight: normal;">I wouldn't normally read this type of book from cover to cover, but would read a </span></span><span style="font-weight: normal;">section</span><span style="font-family: inherit;"><span style="font-weight: normal;"> I felt relevant to the writing issue I was </span></span><span style="font-weight: normal;">struggling</span><span style="font-family: inherit;"><span style="font-weight: normal;"> with at the time. However, I believe </span></span><span style="font-family: inherit;"><span style="font-weight: normal;">you can always learn new things. So, I decided to read from start to finish. Some elements I knew would be new </span></span><span style="font-weight: normal;">whilst</span><span style="font-family: inherit;"><span style="font-weight: normal;"> others would be a refresher. I'm glad I read the entire book. It's </span></span></span><span style="font-family: inherit; font-size: large;"><span style="font-weight: normal;">set out in clear, logical sections and written using easy and clear language. I </span></span><span style="font-size: large;"><span style="font-weight: normal;">definitely</span></span><span style="font-family: inherit; font-size: large;"><span style="font-weight: normal;"> learnt new skills/ideas and have already put some of them to good use. </span></span><br />
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<span style="font-size: large;"><span style="font-family: inherit;"><span style="font-weight: normal;">For example, I've used some of the ideas in the writing classes I teach. I've also used the idea of mapping out (literally drawing a map of where my </span></span><span style="font-weight: normal;">story</span><span style="font-family: inherit;"><span style="font-weight: normal;"> is taking place) to help me write my latest work in progress (another collection of short stories). I was working on a chase scene and as I started to write I realised that I should follow </span></span><span style="font-family: inherit;"><span style="font-weight: normal;">Diana's suggestion and should draw a map to ensure the route taken made sense. This map has been so helpful that I've used it to assist me in writing all </span></span><span style="font-weight: normal;">the</span><span style="font-family: inherit;"><span style="font-weight: normal;"> stories in my latest work in progress and it may even make it into the book as an </span></span><span style="font-weight: normal;">illustration</span><span style="font-family: inherit;"><span style="font-weight: normal;"> </span></span></span><br />
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<span style="font-size: large;"><span style="font-family: inherit;"><span style="font-weight: normal;">A great book full of insights and ideas </span></span><span style="font-weight: normal;">useful</span><span style="font-family: inherit;"><span style="font-weight: normal;"> for new and e</span></span><span style="font-weight: normal;">xperienced</span><span style="font-family: inherit;"><span style="font-weight: normal;"> authors alike. </span></span></span><br />
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<span style="font-size: large;"><span style="color: #111111; font-family: inherit;"><span style="font-weight: normal;"><span lang="EN-US" style="font-family: "arial" , sans-serif;"><span style="font-family: inherit; font-size: large;"></span></span></span></span></span></div>
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<span style="font-size: large;"><span style="color: #111111; font-family: inherit;"><span style="font-weight: normal;"><span style="color: black; font-family: inherit;">Reviewer - Lynne Garner</span></span></span></span><br />
<span style="color: #111111; font-family: inherit; font-size: x-small;">Author of the following short story collections:</span><span class="apple-converted-space" style="color: #111111; font-family: inherit;"> </span><a href="https://www.amazon.co.uk/Tales-Brer-Rabbit-Lynne-Garner/dp/1999680707/ref=pd_lutyp_simh_2_1?_encoding=UTF8&pd_rd_i=1999680707&pd_rd_r=N7CMHV9JP7N1ATP4H8PX&pd_rd_w=ZtFU3&pd_rd_wg=8O3GR&psc=1&refRID=N7CMHV9JP7N1ATP4H8PX" style="font-family: inherit;" target="_blank">Ten Tales of Brer Rabbit</a><span class="apple-converted-space" style="color: #111111; font-family: inherit;"> </span><span style="color: #111111; font-family: inherit; font-size: x-small;">-</span><span class="apple-converted-space" style="color: #111111; font-family: inherit;"> </span><a href="https://www.amazon.co.uk/Ten-Tales-Coyote-Lynne-Garner/dp/1999680715/ref=asap_bc?ie=UTF8" style="font-family: inherit;" target="_blank">Ten Tales of Coyote</a><span class="apple-converted-space" style="color: #111111; font-family: inherit;"> </span><span style="color: #111111; font-family: inherit; font-size: x-small;">-</span><span class="apple-converted-space" style="color: #111111; font-family: inherit;"> </span><a href="https://www.amazon.co.uk/Anansi-Trickster-Spider-Volumes-One/dp/1494946319/ref=asap_bc?ie=UTF8" style="font-family: inherit;" target="_blank">Anansi the Trickster Spider</a><span class="apple-converted-space" style="color: #111111; font-family: inherit;"> </span><span style="color: #111111; font-family: inherit; font-size: x-small;">-</span><span class="apple-converted-space" style="color: #111111; font-family: inherit;"> </span><a href="https://www.amazon.co.uk/Hedgehog-Moon-Meadow-Lynne-Garner/dp/1999680723/ref=sr_1_fkmr0_1?s=books&ie=UTF8&qid=1522750064&sr=1-1-fkmr0&keywords=hedgheogg+of+moon+meadow+farm" style="font-family: inherit;" target="_blank">Hedgehog of Moon Meadow Farm</a></div>
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<br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1759760031021894448.post-6388374911621355912018-04-24T09:41:00.000+01:002018-04-24T09:41:29.293+01:00Murder by the Book by Debbie Young (reviewed by Bill Kirton)<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-fIOhbxkHTFYGyNFJTs_4XEbDafeGkW_IEHgI9i_Q1McZzj7hGugmVjXsa1ykvTWmxJ7BDmtk-npucrodwwBHmYVxeWEYEDAZCCl2qOXrCQI4hyphenhyphen7YGds9pIkWINjOwyBrnqCA_OLIZnI/s1600/MB.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="346" data-original-width="218" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-fIOhbxkHTFYGyNFJTs_4XEbDafeGkW_IEHgI9i_Q1McZzj7hGugmVjXsa1ykvTWmxJ7BDmtk-npucrodwwBHmYVxeWEYEDAZCCl2qOXrCQI4hyphenhyphen7YGds9pIkWINjOwyBrnqCA_OLIZnI/s320/MB.jpg" width="200" /></a></div>
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The fact that this is a “Sophie Sayers Village Mystery”
indicates from the start that the book will belong to the section of the crime
genre labelled “cosy”. And yet its opening lines introduce us to two shadowy
figures indulging in some far from cosy violence which results in one of them
falling to his death down the village well. Thereafter, we’re introduced to a cross-section
of the inhabitants of the village of Wendlebury Barrow and learn in
entertaining detail of their relationships, interactions and some relatively
harmless secrets. The distance between that opening violence and the minutiae
of their everyday lives couldn’t be greater. It’s obviously a deliberate
juxtaposition on the part of the author which, by setting the violence in a
simple, unthreatening context, increases its dramatic effect and,
simultaneously, the reader’s curiosity. That curiosity is sustained very
cleverly throughout the book because there’s no indication until very late in
the narrative of either the identity of the two people involved or the nature
of the dispute which leads to the killing. Instead, the two threads of
normality and violence are drawn together by an innocent and apparently
unrelated celebration the villagers are planning, which eventually creates the
circumstances for the killing and gradually reveals the victim and the
potential motives of several of the characters with whom we’ve become familiar.
As we near the climax, our suspicions are made to fall on some of these same innocents
in succession before the final revelation and resolution. The writing is
assured, the characters well drawn, and the various plot lines are often very
funny. It’s a highly entertaining and probably addictive book – addictive
because these are people with whom you’ll want to spend more time.</div>
Bill Kirtonhttp://www.blogger.com/profile/16345949773423764808noreply@blogger.com1tag:blogger.com,1999:blog-1759760031021894448.post-34587053757970929922018-04-20T07:00:00.000+01:002018-04-20T07:00:09.728+01:00Best Murder in Show by Debbie Young <h1 class="a-size-large a-spacing-none" id="title" style="box-sizing: border-box; line-height: 1.3 !important; margin-bottom: 0px !important; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding: 0px; text-rendering: optimizeLegibility;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3UOoqyvUa9hqr9zL1yiRYkGI8I_ipit5UDPWPlspiv3-lXVscHLng5iMhlzlKoZTvTqZUxuBPDtqHjAzdUqgI-TRNaHv3_AR97f-1AzlF2YXuhSF5gcx-tXp09KPJeKui0glZPfstxTFq/s1600/Screen+Shot+2018-04-10+at+18.14.35.png" imageanchor="1" style="clear: right; color: #111111; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="293" data-original-width="186" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3UOoqyvUa9hqr9zL1yiRYkGI8I_ipit5UDPWPlspiv3-lXVscHLng5iMhlzlKoZTvTqZUxuBPDtqHjAzdUqgI-TRNaHv3_AR97f-1AzlF2YXuhSF5gcx-tXp09KPJeKui0glZPfstxTFq/s320/Screen+Shot+2018-04-10+at+18.14.35.png" width="202" /></a><span style="color: #111111; font-weight: normal;"><span class="a-size-large" id="productTitle" style="box-sizing: border-box; line-height: 1.3 !important; text-rendering: optimizeLegibility;"><span style="font-family: inherit; font-size: large;"><a href="https://www.amazon.co.uk/Best-Murder-Show-Village-Mysteries/dp/1911223135/ref=sr_1_1?s=books&ie=UTF8&qid=1523380349&sr=1-1&keywords=9781911223139" target="_blank">Best Murder in Show: A Sophie Sayers Village Mystery</a></span></span></span><br />
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<span style="font-family: inherit; font-size: large;"><span style="font-weight: normal;"><span class="a-size-large" style="box-sizing: border-box; line-height: 1.3 !important; text-rendering: optimizeLegibility;">Author: <a href="https://authordebbieyoung.com/" target="_blank">Debbie Young</a></span></span></span></div>
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<span style="font-family: inherit; font-size: large;"><span style="font-weight: normal;"><span class="a-size-large" style="box-sizing: border-box; line-height: 1.3 !important; text-rendering: optimizeLegibility;">Genre: Crim, Thriller, Mystery, Women Sleuths, Romantic Comedy</span></span></span></div>
<span style="font-family: inherit; font-size: large;"><span style="font-weight: normal;"><span class="a-size-large" style="box-sizing: border-box; line-height: 1.3 !important; text-rendering: optimizeLegibility;"><a href="https://authordebbieyoung.com/" target="_blank"><span style="color: #111111;"><br /></span></a></span></span><span style="color: #111111; font-weight: normal;"><span class="a-size-large" style="box-sizing: border-box; line-height: 1.3 !important; text-rendering: optimizeLegibility;">This is the first in a series of books that introduces us to our lead character, Sophie Sayers. So</span>phie has made a huge change in her life and moved to a village in the scenic Cotswolds. She's inherited a cottage from her great Aunt May, who was a successful writer. Sophie intends to use this opportunity and become a writer herself, but things don'ts go to plan.</span></span></div>
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<span style="font-family: inherit; font-size: large;"><span style="font-weight: normal;"><br /></span><span style="font-weight: normal;">Our story opens with the village carnival and a dead queen. This leaves Sophie and everyone else in the village asking questions. Was it murder? If so, who did it? Why? Almost everyone is a suspect. </span><span style="font-weight: normal;"><br /></span></span></div>
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<span style="font-family: inherit; font-size: large;"><span style="font-weight: normal;">A thoroughly enjoyable read which reminded me of the TV shows <i>Rosemary and Thyme</i>, <i>Agatha Raisin</i> and <i>Miss Marple</i>. Today these are classed (apparently) as 'cozy crime' or 'cozy mysteries' due to the lack of explosions, car chases and gratuitous violence. </span><span style="font-weight: normal;">It's a well written book which contains some lovely descriptive writing and strong characters. Some of which I'm sure most of us will recognise in some form or another from our own lives. </span></span></div>
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<span style="font-size: large;"><span style="color: #111111; font-family: inherit;"><span style="font-weight: normal;">It's not often that I enjoy a book enough to make me want to get the next in the series, but on this occasion book number two (</span></span><a href="https://www.amazon.co.uk/Trick-Murder-Sophie-Village-Mysteries/dp/1911223208/ref=pd_bxgy_14_img_2?_encoding=UTF8&psc=1&refRID=TS7EHWEVDYZBEHD7HFFE" style="color: #111111; font-family: inherit; font-weight: normal;" target="_blank">Trick or Murder</a>)<span style="color: #111111; font-family: inherit;"><span style="font-weight: normal;"> is already </span></span><span style="color: #111111;"><span style="font-weight: normal;">downloaded</span></span><span style="color: #111111; font-family: inherit;"><span style="font-weight: normal;"> and waiting for me on my Kindle.</span></span></span><br />
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<span style="font-size: large;"><span style="color: #111111; font-family: inherit;"><span style="font-weight: normal;"><span style="color: black; font-family: "arial" , sans-serif;"><span style="font-size: large;">Reviewer - Lynne Garner<o:p></o:p></span></span></span></span></span></div>
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<span style="font-size: large;"><span style="color: #111111; font-family: inherit;"><span style="font-weight: normal;"><span lang="EN-US" style="font-family: "arial" , sans-serif;"><span style="font-size: large;">Writer of the following short story collections:<span class="apple-converted-space"> </span><a href="https://www.amazon.co.uk/Tales-Brer-Rabbit-Lynne-Garner/dp/1999680707/ref=pd_lutyp_simh_2_1?_encoding=UTF8&pd_rd_i=1999680707&pd_rd_r=N7CMHV9JP7N1ATP4H8PX&pd_rd_w=ZtFU3&pd_rd_wg=8O3GR&psc=1&refRID=N7CMHV9JP7N1ATP4H8PX" target="_blank">Ten Tales of Brer Rabbit</a><span class="apple-converted-space"> </span>-<span class="apple-converted-space"> </span><a href="https://www.amazon.co.uk/Ten-Tales-Coyote-Lynne-Garner/dp/1999680715/ref=asap_bc?ie=UTF8" target="_blank">Ten Tales of Coyote</a><span class="apple-converted-space"> </span>-<span class="apple-converted-space"> </span><a href="https://www.amazon.co.uk/Anansi-Trickster-Spider-Volumes-One/dp/1494946319/ref=asap_bc?ie=UTF8" target="_blank">Anansi the Trickster Spider</a><span class="apple-converted-space"> </span>-<span class="apple-converted-space"> </span><a href="https://www.amazon.co.uk/Hedgehog-Moon-Meadow-Lynne-Garner/dp/1999680723/ref=sr_1_fkmr0_1?s=books&ie=UTF8&qid=1522750064&sr=1-1-fkmr0&keywords=hedgheogg+of+moon+meadow+farm" target="_blank">Hedgehog of Moon Meadow Farm</a></span></span></span></span></span></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1759760031021894448.post-16777719091442019152018-04-11T07:00:00.000+01:002018-04-11T07:00:09.961+01:00Christopher Uptake by Susan Price <h3>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1qkA7gY1P5IKksXkNyXVL0ouCpHo4jbwnkDSByVM8mjkTD6N5kNcHzTnz_01ZgjNdcHsCYWVBn7sgPZHg0efQNl5EteIjNbDhCcWYUTszuOe4pukoqTa3-haTAsxGH2SNFSF9dHdD54qF/s1600/Screenshot+2013-12-07+07.47.42.png" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="246" data-original-width="177" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1qkA7gY1P5IKksXkNyXVL0ouCpHo4jbwnkDSByVM8mjkTD6N5kNcHzTnz_01ZgjNdcHsCYWVBn7sgPZHg0efQNl5EteIjNbDhCcWYUTszuOe4pukoqTa3-haTAsxGH2SNFSF9dHdD54qF/s400/Screenshot+2013-12-07+07.47.42.png" width="287" /></a><span style="font-size: large;"><span style="color: black; font-family: "arial" , sans-serif; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB; mso-font-kerning: 18.0pt;"><a href="https://www.amazon.co.uk/Christopher-Uptake-Times-Godless-Play-Maker-ebook/dp/B007GDUSPG/" target="_blank">Christopher Uptake</a> </span><span style="font-family: "arial" , sans-serif;">By Susan Price</span></span></h3>
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<span style="color: black; font-family: "arial" , sans-serif;"><span style="font-size: large;">Genre: Historical, Mystery, Thriller & Suspense<o:p></o:p></span></span></div>
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<span style="font-family: "arial" , sans-serif;"><span style="font-size: large;">Historical fiction isn't normally something I'd read. However,
as the theatre (one of my first jobs was as a wardrobe mistress) and the setting is Cambridge
(I went to university there) I felt I had to give it a chance.</span></span></div>
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<span style="font-size: large;"><span style="font-family: "arial" , sans-serif;">Set in Elizabethan England the story follows the turbulent life of
Cristopher Uptake. Sent to university he quickly discovers the rules and the
boredom of student life means he's soon drawn to the excitement of the streets of Cambridge and lure
of the theatre. With very little money but some talent he luckily finds a patron
in the form of the wealthy Edmund Brentwood. However, this brings a determined
spy hunter knocking on his door. Christopher is given a choice, betray his
friend or lose his life.<o:p></o:p></span></span></div>
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<span style="font-size: large;"><span style="font-family: "arial" , sans-serif;">The story is told in the first person (a POV I typically find difficult to
follow). However, because it's so well written I found myself thinking just another chapter. </span></span><span style="font-family: "arial" , sans-serif; font-size: large;">The bonus was I didn't see the end plot twist coming.</span></div>
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<o:p><span style="font-size: large;"><span style="font-family: "arial" , sans-serif;">In my humble opinion, this book is well worth a read.</span></span></o:p></div>
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<span style="color: black; font-family: "arial" , sans-serif;"><span style="font-size: large;">Reviewer - Lynne Garner<o:p></o:p></span></span></div>
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<span lang="EN-US" style="font-family: "arial" , sans-serif;"><span style="font-size: large;">Writer
of the following short story collections:<span class="apple-converted-space"> </span><a href="https://www.amazon.co.uk/Tales-Brer-Rabbit-Lynne-Garner/dp/1999680707/ref=pd_lutyp_simh_2_1?_encoding=UTF8&pd_rd_i=1999680707&pd_rd_r=N7CMHV9JP7N1ATP4H8PX&pd_rd_w=ZtFU3&pd_rd_wg=8O3GR&psc=1&refRID=N7CMHV9JP7N1ATP4H8PX" target="_blank">Ten Tales of Brer Rabbit</a><span class="apple-converted-space"> </span>-<span class="apple-converted-space"> </span><a href="https://www.amazon.co.uk/Ten-Tales-Coyote-Lynne-Garner/dp/1999680715/ref=asap_bc?ie=UTF8" target="_blank">Ten Tales of Coyote</a><span class="apple-converted-space"> </span>-<span class="apple-converted-space"> </span><a href="https://www.amazon.co.uk/Anansi-Trickster-Spider-Volumes-One/dp/1494946319/ref=asap_bc?ie=UTF8" target="_blank">Anansi the Trickster Spider</a><span class="apple-converted-space"> </span>-<span class="apple-converted-space"> </span><a href="https://www.amazon.co.uk/Hedgehog-Moon-Meadow-Lynne-Garner/dp/1999680723/ref=sr_1_fkmr0_1?s=books&ie=UTF8&qid=1522750064&sr=1-1-fkmr0&keywords=hedgheogg+of+moon+meadow+farm" target="_blank">Hedgehog of Moon Meadow Farm</a></span></span><!--EndFragment-->
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1759760031021894448.post-59776604185981786162018-04-03T12:34:00.003+01:002018-04-03T12:34:39.467+01:00Wolfsong by Enid Richemont<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEju5sfxeQX2UZtKilYrpX2qfAdv96v-9BP6CnAlMWIfVxsyT6XhHavOTr6AbUx22q8hdhbMFj3t6mVj9Iy3kQXnc_V-oxRx1XePVW1-rDLMJjlpTwUf6PfWaThkaeYkbu5cfvjW794st-t6/s1600/Screen+Shot+2018-04-03+at+09.33.03.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="584" data-original-width="388" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEju5sfxeQX2UZtKilYrpX2qfAdv96v-9BP6CnAlMWIfVxsyT6XhHavOTr6AbUx22q8hdhbMFj3t6mVj9Iy3kQXnc_V-oxRx1XePVW1-rDLMJjlpTwUf6PfWaThkaeYkbu5cfvjW794st-t6/s320/Screen+Shot+2018-04-03+at+09.33.03.png" width="212" /></a><br />
<br />
<h4>
<span style="font-family: inherit; font-size: large;"><a href="https://www.amazon.co.uk/Wolfsong-Enid-Richemont-ebook/dp/B00846FYX0/ref=sr_1_sc_1?ie=UTF8&qid=1522744375&sr=8-1-spell&keywords=wofsong+enid" target="_blank">Wolfsong by Enid Richemont</a></span></h4>
<span style="font-family: inherit; font-size: large;">ASIN: B00846FYX0 (ebook)</span><br />
<span style="font-family: inherit; font-size: large;">ISBN: 978-0744530988 (paperback)</span><br />
<span style="font-size: large;">Age group: 14+</span><br />
<span style="font-size: large;"><br /></span>
<br />
<span style="font-family: inherit; font-size: large;">This story revolves around Ellie, Ellie's best friend Amy, Ellie's mother and friends. The main part of the story takes place whilst they're enjoying a holiday in a dusty old mansion in Brittany, France.</span><br />
<span style="font-family: inherit; font-size: large;"><br /></span>
<span style="font-family: inherit; font-size: large;">Ellie doesn't want to go on holiday with her mother. She and her best friend Amy had other plans for their summer. However, Ellie is surprised to discover Amy wants to, <i>"Why not," she said. "It's abroad and cheap." </i></span><br />
<span style="font-family: inherit; font-size: large;"><br /></span>
<span style="font-family: inherit; font-size: large;">When the group arrive at the mansion everyone picks a room. The room Ellie picks has an old image of a young man above the bed. </span><br />
<span style="font-family: inherit; font-size: large;"><br /></span>
<i><span style="font-family: inherit; font-size: large;">'Over the bed there is a portrait - a romanic, black and white photograph of some young man, slightly misted at the edges and mount inside a big oval frame.' </span></i><br />
<span style="font-family: inherit; font-size: large;"><br /></span>
<span style="font-family: inherit; font-size: large;">Soon, all Ellie can think about is the stranger in the photograph. Who is he? What was his name? What life did he live? She then starts to hear the howl of wolves in the mansion grounds. </span><br />
<span style="font-family: inherit; font-size: large;"><br /></span>
<span style="font-family: inherit; font-size: large;">I don't want to spoil the rest so to find out what happens you'll have to read to book.</span><br />
<span style="font-family: inherit; font-size: large;"><br /></span>
<span style="font-family: inherit; font-size: large;">There's some lovely use of language to describe scene, feelings, smell etc. which draws the reader in. </span><br />
<span style="font-family: inherit; font-size: large;"><br /></span>
<span style="font-family: inherit; font-size: large;">The story is told in the first person, typically a POV I don't enjoy. However, when written well it works and this is the case for this book. </span><br />
<span style="font-family: inherit; font-size: large;"><br /></span>
<span style="font-family: inherit; font-size: large;">Reviewer - Lynne Garner</span><br />
<span style="font-family: inherit; font-size: large;"><br /></span>
<span style="font-family: inherit; font-size: large;">Writer of the following short story collections: <a href="https://www.amazon.co.uk/Tales-Brer-Rabbit-Lynne-Garner/dp/1999680707/ref=pd_lutyp_simh_2_1?_encoding=UTF8&pd_rd_i=1999680707&pd_rd_r=N7CMHV9JP7N1ATP4H8PX&pd_rd_w=ZtFU3&pd_rd_wg=8O3GR&psc=1&refRID=N7CMHV9JP7N1ATP4H8PX" target="_blank">Ten Tales of Brer Rabbit</a> - <a href="https://www.amazon.co.uk/Ten-Tales-Coyote-Lynne-Garner/dp/1999680715/ref=asap_bc?ie=UTF8" target="_blank">Ten Tales of Coyote</a> - <a href="https://www.amazon.co.uk/Anansi-Trickster-Spider-Volumes-One/dp/1494946319/ref=asap_bc?ie=UTF8" target="_blank">Anansi the Trickster Spider</a> - <a href="https://www.amazon.co.uk/Hedgehog-Moon-Meadow-Lynne-Garner/dp/1999680723/ref=sr_1_fkmr0_1?s=books&ie=UTF8&qid=1522750064&sr=1-1-fkmr0&keywords=hedgheogg+of+moon+meadow+farm" target="_blank">Hedgehog of Moon Meadow Farm</a>. </span>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1759760031021894448.post-59756961401542954672018-01-26T00:00:00.000+00:002018-01-26T00:00:11.366+00:00Lena's Nest - by Rosalie Warren<div class="separator" style="clear: both; text-align: center;">
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It's not easy to write an original science fiction story about artificial beings given the rich history of this subgenre. Robots have been our constant literary companions since Karel Čapek's 1926 play, (R.U.R), Isaac Asimov's noble machines and beyond. Rosalie Warren, however, pulls it off with aplomb in her close-up and personal psychological scifi thriller, <i><a href="http://amzn.to/2EkU6lM">Lena's Nest</a></i>.<br />
<br />
And it feels on the leading edge of today's fast-changing AI research. Lots of robot sci-fi novels - even the classics - give but a wave of the hand to the scientific and technological derivations of their sentient mechanical creations, be they benign or monstrous. <i>Lena's Nest</i>, however, explores the fundamentals of artificial life - including the ethical and psychological considerations - without compromising the novel's compelling narrative. This no doubt results from the author herself being computer science professional with expertise in linguistics, psychology and artificial intelligence.<br />
<br />
Ms.Warren, uses her expertise to draw characters and tell a good story, while never burdening it with gratuitous didactic details. We're on Dr. Lena Curtis' side from when she awakens from a prolonged coma - or at least believes so - on page one following a serious auto accident.<br />
<br />
Lena, like the author, is a computer scientist specializing in robotics. Up until her car crash, she had been developing ethical protocols for artificial intelligence and robotics programs, never realizing that her work may have dramatic impact on future society. We relate to Lena as a woman and mother, not simply a scientist -- from the start. Coming out of her "coma," Lena reunites with her children and family and tries to sort herself out, only to notice strange, dreamlike anomalies.<br />
<br />
The narrative is intimate and juicy - an eerily somatic trip through the protagonist's inner space that doesn't slow down. You feel Lena's fears in nightmarish fashion: for example at the opening of Chapter 19: "The terror was like nothing she had ever known. Lena had previously thought that the worst hell she could suffer was that of seeing her children hurt ... but this was unbelievably worse. It threw her into pure, self-focused, primal horror. She had believed she no long had a body, but her heart was pounding now, thumping harder with every beat. Her abdomen was full of ice-cold fear and her brain teamed with... What?"<br />
<br />
I'll sidestep spoilers and keep mum on further plot details. Suffice to note that <i>Lena's Nest</i> becomes a suspenseful journey through our myriad states of consciousness - natural and artificial. Lena faces existential choices at every turn - between romantic and familial love, being in- or out-of-body, life or death. How would you like to suddenly be confronted first-hand by future generations really think - or forget - about you? Would you rather live as a synthetic being in a brave new world divorced from past life, or dwell among those you love in an idyllic-but-illusory bygone reality? Could you get used to existing in a totally alien, artificial body? Are you the total of your memories, or more? Would non-existence be terrifying or serenely appealing, given these choices?<br />
<br />
Like all compelling science fiction, <i>Lena's Next</i> takes us on a wild adventure beyond the boundaries of everyday existence while raising consciousness about the underlying psychological, social and philosophical issues of our own, present and uncertain realities.<br />
<br />
-<i> Umberto Tosi</i>, author of <i>Our Own Kind</i>, <i>Ophelia Rising. High Treason, </i>and <i>Milagro on 34th Street</i>.<br />
He has been a member of Authors Electric since May 2015.<br />
<br />Umberto Tosihttp://www.blogger.com/profile/04939504157464234443noreply@blogger.com0tag:blogger.com,1999:blog-1759760031021894448.post-37881495685856598942018-01-17T11:39:00.001+00:002018-01-17T11:50:50.162+00:00Horse of Mist by Katherine Roberts<div class="separator" style="clear: both; text-align: center;">
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<h3>
</h3>
<h3>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioOfQ4M_toD7KL0cgXRBMIOPpbdMrVVReOHkVkNgR4bHrBxpjrlej3nmdj3lOOpp9WnIryKO_-zJplHP9NcjChXjWYrAxbuZNKPUhyynqoLlYuYH6EBDsZ9r_tf72g3XfysXmTHw0Rotw2/s1600/Screen+Shot+2018-01-17+at+11.16.43.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="614" data-original-width="436" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioOfQ4M_toD7KL0cgXRBMIOPpbdMrVVReOHkVkNgR4bHrBxpjrlej3nmdj3lOOpp9WnIryKO_-zJplHP9NcjChXjWYrAxbuZNKPUhyynqoLlYuYH6EBDsZ9r_tf72g3XfysXmTHw0Rotw2/s320/Screen+Shot+2018-01-17+at+11.16.43.png" width="226" /></a></h3>
<br />
<h3>
<span style="font-size: large;"><a href="https://www.amazon.co.uk/Horse-PENDRAGON-LEGACY-Katherine-Roberts-ebook/dp/B00JDLQF7Y/ref=sr_1_1?ie=UTF8&qid=1516187653&sr=8-1&keywords=horse+of+mist" target="_blank">Horse of Mist </a>by Katherine Roberts</span></h3>
<span style="font-size: large;"><b>Genre:</b> Fantasy and Magic</span><br />
<span style="font-size: large;"><b>Age range:</b> 9 - 12</span><br />
<span style="font-size: large;"><br /></span>
<span style="font-size: large;">ebook <b>FREE </b>to download (at time of writing review).</span><br />
<span style="font-size: large;"><br /></span>
<span style="font-size: large;">This short story is a prequel to the <a href="https://www.amazon.co.uk/s/ref=nb_sb_noss?url=search-alias%3Ddigital-text&field-keywords=Pendragon+Legacy" target="_blank">Pendragon Legacy</a> quartet series. It's lead character is Rhianna Pendragon (King Arthur's daughter).</span><br />
<span style="font-size: large;"><br /></span>
<span style="font-size: large;">Rhinanna is living in the secret world of Avalon and is surrounded by mythical and magic beings. The story follows the ceremonial day when mist horses choose their riders. Rhianna is desperate to join in but has been forbidden because humans can't rider mist horses. </span><br />
<span style="font-size: large;"><br /></span>
<span style="font-size: large;">Although I'm not the demographic for this short story I still found it an enjoyable read. It's well written and the story has a good pace to it.</span><br />
<span style="font-size: large;"><br /></span>
<span style="font-size: large;">I can see the audience that it's aimed at connecting with the characters and deciding to want to read the entire series. </span><br />
<span style="font-size: large;"><br /></span>
<span style="font-size: large;">Well worth downloading either for yourself or a younger member of your family who loves horses and a little magic. </span><br />
<span style="font-size: large;"><br /></span>
<span style="font-size: large;">Reviewer - Lynne Garner</span>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1759760031021894448.post-8908261635663816762018-01-06T08:00:00.000+00:002018-01-06T08:00:10.212+00:00Three Billy Goats Gruff by Susan Price <div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6U-tbNrBrZcbPfCVrcYF94hL8eCPe_otxnNwHyPPYxq2lm3XHd37Aos1unpVeP3tKMjiggPjml8evtCZT3Q_VNt1ntNl7RQcSPR6hx5CJdSAaU4WwTX4R5wDDpvccu8gR4PyXVsvoyY9-/s1600/Screen+Shot+2017-12-11+at+11.37.33.png" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="590" data-original-width="462" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6U-tbNrBrZcbPfCVrcYF94hL8eCPe_otxnNwHyPPYxq2lm3XHd37Aos1unpVeP3tKMjiggPjml8evtCZT3Q_VNt1ntNl7RQcSPR6hx5CJdSAaU4WwTX4R5wDDpvccu8gR4PyXVsvoyY9-/s320/Screen+Shot+2017-12-11+at+11.37.33.png" width="250" /></a></div>
<a href="https://www.amazon.co.uk/Three-Billy-Goats-Gruff-Collection/dp/1530897262/ref=sr_1_21?ie=UTF8&qid=1512991944&sr=8-21&keywords=susan+price" target="_blank">Three Billy Goats Gruff </a>- Picture Book<br />
<a href="https://www.amazon.co.uk/Billy-Goats-Gruff-Colouring-Book/dp/1532756879/ref=pd_bxgy_14_img_2?_encoding=UTF8&psc=1&refRID=HPWNYN4HGECFJ1MBADB2" target="_blank">Three Billy Goats Gruff</a> - Colouring Book<br />
<br />
Age range: 5 - 6 years<br />
<span style="background-color: white; color: #333333; font-family: "verdana" , "arial" , "helvetica" , sans-serif; font-size: 13px;"><br /></span>
As a writer of picture books I spend a lot of time reading picture books and analysing why they work and how I can use this in my own work. So when I discovered this retelling of my favourite story, I knew I had to read it.<br />
<br />
The illustrations are big and bold with sharp, angular lines<br />
that support this 'edgy' story. I like the way some of the text are in speech bubbles and some of the actions words have become part of the page design.<br />
<br />
Repetition and rhyme is used to good effect, something a lot of picture books include as it allows the child to anticipate the story and join in with certain words and phrases. This allows aids with the reading, making it an easy to read-aloud book.<br />
<br />
The plus with this picture book is that there is a colouring book that compliments it. Some of the words are also missing, so the child can fill in for themselves. Something as a teacher I'm all for as it adds another dimension to the reading experience and supports a child's small motor and word recognition skills. <br />
<br />
Reviewer - <a href="http://authorselectricweb.blogspot.co.uk/p/8th-lynne-garner.html" target="_blank">Lynne Garner</a><br />
<br />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1759760031021894448.post-56696695822197971412017-12-27T15:06:00.000+00:002017-12-27T15:06:11.194+00:00From the Heart of a Copy Editor by Sheila Glasbey<div class="MsoNormal">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMcBR06h3ETrboWwLZBbcVNt8tF_Svik8Z9iWlVjYm83qm0v204nzYd2SNf05cWNWj8g8nfQRMQHy3K6u_tfo8TCq76v8ZHsA4I46YiRcushSPioNjFhPTrSPPS54RsgNCTlHHusRvw7eM/s1600/Screen+Shot+2017-12-11+at+14.59.56.png" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="614" data-original-width="392" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMcBR06h3ETrboWwLZBbcVNt8tF_Svik8Z9iWlVjYm83qm0v204nzYd2SNf05cWNWj8g8nfQRMQHy3K6u_tfo8TCq76v8ZHsA4I46YiRcushSPioNjFhPTrSPPS54RsgNCTlHHusRvw7eM/s400/Screen+Shot+2017-12-11+at+14.59.56.png" width="255" /></a><span lang="EN-US"><span style="font-family: inherit; font-size: large;"><a href="https://www.amazon.co.uk/Heart-Copy-Editor-Common-Mistakes-ebook/dp/B0773SNP83" target="_blank">From the Heart of a Copy Editor</a> - (the 10 most common mistakes and how to fix them) by
Sheila Glasbey<o:p></o:p></span></span></div>
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<div class="MsoNormal">
<span lang="EN-US"><span style="font-family: inherit; font-size: large;">Genre: educating and reference, Writing, editing<o:p></o:p></span></span></div>
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<span lang="EN-US"><span style="font-family: inherit; font-size: large;"><br /></span></span></div>
<div class="MsoNormal">
<span lang="EN-US"><span style="font-family: inherit;"><span style="font-size: large;">Available</span><span style="font-size: large;"> as an ebook only - UK edition only, at time of writing this review. </span></span></span></div>
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<span lang="EN-US"><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><br /></span></span></div>
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<span style="font-family: inherit; font-size: large;">As a writer, I’m always looking for something to help me improve my writing. As a teacher, who has to ensure I can support my students with their SPAG (spelling, punctuation and grammar) I’m always on the lookout for a book I can recommend to my students.</span></div>
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<br /></div>
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<span style="font-family: inherit; font-size: large;">This book’s written in a light-hearted and chatty manner making it a far more enjoyable way of learning than ploughing through some of the more conventional grammar books.</span></div>
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<br /></div>
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<span style="font-family: inherit; font-size: large;">It’s written by professional copy editor and is based on her experiences working for other writers. It covers ten common mistakes made by all levels of writers. It includes simple to follow explanations and includes easy to follow samples that provided me with that ‘lightbulb moment’ - when something clicks and you suddenly understand.</span></div>
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<br /></div>
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<span style="font-family: inherit; font-size: large;"><br /></span></div>
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<span style="font-family: inherit; font-size: large;">It’s a book I’ll be keeping near to hand as I write, just so I can double check my SPAG and one I can recommend to my students.</span></div>
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<span style="font-family: inherit; font-size: large;"><br /></span></div>
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<span style="font-family: inherit; font-size: large;">Reviewer: <a href="http://authorselectricweb.blogspot.co.uk/p/8th-lynne-garner.html" target="_blank">Lynne Garner</a></span><a href="http://authorselectricweb.blogspot.co.uk/p/8th-lynne-garner.html" style="font-family: Arial, Helvetica, sans-serif;" target="_blank"> </a></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1759760031021894448.post-35176231588466432432017-12-18T14:31:00.000+00:002017-12-18T14:31:30.696+00:00Murder in the Manager by Debbie Young<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBW3VxRv1L-mCJiXgOVneXjHxxZKWVctUdS10mFj4Uw-fczuFBCzrqRhFQRXcdVmmjD_08B4BjTbbTrrSvqU4LSszneuzQIR0HuH2OpZvQ2gs3umG5DHPKVMdrhYtQ8ehyphenhyphenLWF5Uq21oxoH/s1600/Screen+Shot+2017-12-11+at+14.27.18.png" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><br /><img border="0" data-original-height="950" data-original-width="598" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBW3VxRv1L-mCJiXgOVneXjHxxZKWVctUdS10mFj4Uw-fczuFBCzrqRhFQRXcdVmmjD_08B4BjTbbTrrSvqU4LSszneuzQIR0HuH2OpZvQ2gs3umG5DHPKVMdrhYtQ8ehyphenhyphenLWF5Uq21oxoH/s400/Screen+Shot+2017-12-11+at+14.27.18.png" width="251" /></a></div>
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<span lang="EN-US"><span style="font-family: inherit; font-size: large;"><a href="https://www.amazon.co.uk/Murder-Manger-Village-Mystery-Mysteries/dp/1911223224/ref=sr_1_1?s=books&ie=UTF8&qid=1513001148&sr=1-1&keywords=murder+in+the+manger" target="_blank">Murder in the Manager</a> by Debbie Young<o:p></o:p></span></span></div>
<br />
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<span style="font-family: inherit; font-size: large;"><span lang="EN-US"></span></span></div>
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<span lang="EN-US"><span style="font-family: inherit; font-size: large;">Genre: Mystery, Crime, Humour, Romance</span></span></div>
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<span lang="EN-US"><span style="font-family: inherit; font-size: large;"><br /></span></span></div>
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<span lang="EN-US"><span style="font-family: inherit; font-size: large;">This is the first in this series of books
that I've read (I know you're supposed to read them in order), but it was a
gift. However, I didn’t feel this was an issue as I was able to follow the story
and grow to know the characters. </span></span></div>
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<span lang="EN-US"><span style="font-family: inherit; font-size: large;"><br /></span></span></div>
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<span lang="EN-US"><span style="font-family: inherit; font-size: large;">Thankfully it was the type of mystery book I like to read. As in true Midsummer Murder tradition, there’s
someone shouting murder in the first chapter.<o:p></o:p></span></span></div>
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<br /></div>
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<span lang="EN-US"><span style="font-family: inherit; font-size: large;">The book follows the life of Sophie Sayer
as she navigates writing a script for the village play, dealing with the
arrival of an ex-boyfriend, nurturing a new romance and working out who shouts
from the back pew of the church, “My baby! You’ve murder my baby!”<o:p></o:p></span></span></div>
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<br /></div>
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<span lang="EN-US"><span style="font-family: inherit; font-size: large;">
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<span lang="EN-US"><span style="font-family: inherit; font-size: large;">The story includes all the festive feel you'd expect from the title. The author includes humour and shows a keen
understanding of human nature, all at a relaxed pace, making it an ideal
festive read.</span></span></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1759760031021894448.post-26824940566989100522017-12-11T11:29:00.000+00:002017-12-11T11:35:24.826+00:00The Silkie by Sandra Horn<!--[if gte mso 9]><xml>
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Closing"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Signature"/>
<w:LsdException Locked="false" Priority="1" SemiHidden="true"
UnhideWhenUsed="true" Name="Default Paragraph Font"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Message Header"/>
<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Salutation"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Date"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/>
<w:LsdException Locked="false" Priority="0" SemiHidden="true"
UnhideWhenUsed="true" Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 9"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiipUN-gLsXIfAtyxFLkFHxAVIQyn9d8fEgmZenAa8lU-hBOD1n7t8FZgH8cUNFyavwOp0QndDUfheJw9giW0nw2NpxjvGu0EyIG43Rj-gyIwkcht84uz-O8niV1M9CYpNSJhpWuCBKdF2n/s1600/Screen+Shot+2017-12-11+at+11.02.17.png" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="576" data-original-width="578" height="318" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiipUN-gLsXIfAtyxFLkFHxAVIQyn9d8fEgmZenAa8lU-hBOD1n7t8FZgH8cUNFyavwOp0QndDUfheJw9giW0nw2NpxjvGu0EyIG43Rj-gyIwkcht84uz-O8niV1M9CYpNSJhpWuCBKdF2n/s320/Screen+Shot+2017-12-11+at+11.02.17.png" width="320" /></a></div>
<div style="margin-bottom: .0001pt; margin: 0in;">
<a href="https://www.amazon.co.uk/The-Silkie-Hodder-Story-Book/dp/B00UOIGBLK/ref=sr_1_2?ie=UTF8&qid=1512990074&sr=8-2&keywords=the+silkie+sandra+horn" target="_blank"><span style="font-family: "arial" , "helvetica" , sans-serif;">The Silkie by Sandra Horn</span></a></div>
<div style="margin-bottom: .0001pt; margin: 0in;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">ISBN
978-1-909568-10-5<o:p></o:p></span></div>
<div style="margin-bottom: .0001pt; margin: 0in;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">Expected
readership: children aged seven and upwards<o:p></o:p></span></div>
<div style="margin-bottom: .0001pt; margin: 0in;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">Length:
40 pages<o:p></o:p></span></div>
<div style="margin-bottom: .0001pt; margin: 0in;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span></div>
<div style="margin-bottom: .0001pt; margin: 0in;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">Reviewer: <a href="http://authorselectricweb.blogspot.co.uk/p/8th-lynne-garner.html" target="_blank">Lynne Garner</a></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">I’d
heard of the legends that involved something called a Silkie and knew they were
mythological creatures that could be found in Irish, Scottish, Faroese, and
Icelandic folklore. However, I’d never read a story that featured them. So,
when I was introduced to this book I knew it was one I should read.<o:p></o:p></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">I loved the rustic, wild
setting of the story and this is portrayed well by the author. Her descriptions
really bring the landscape alive, for example: "</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">You can just see them, protected from the wild
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<br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;">And
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
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<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
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<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
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<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
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<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
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<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
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<div style="margin-bottom: .0001pt; margin: 0in;">
<span style="font-family: "arial" , "helvetica" , sans-serif;">I’ve
never read an original version of this story, if there is such a thing, as I
assume this story is part of a long oral tradition. So, I don’t know how close
to the original telling it is. However, I don’t think that matters. It’s a
lovely modern retelling of a traditional story that still contains the feel of its
traditional roots.</span></div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-1759760031021894448.post-9334737652937970532017-09-19T16:16:00.002+01:002017-09-19T16:16:52.896+01:00The Dancing Girl and the Turtle by Karen Kao<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJmNNg1rGptWkPXcueGuzPDcTH6wvac7dq4iByXRUSSJMLfH8CcZVn37tNKoNDZlEMfS85pzP05r1GS7tEilV6qqYoxqWjVIAHfmXGZNLQT3TsIMTUMTmEZcEFfQ3UnfvW-vcpFkdkyexg/s1600/The+Dancing+Girl+and+the+Turtle.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1030" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJmNNg1rGptWkPXcueGuzPDcTH6wvac7dq4iByXRUSSJMLfH8CcZVn37tNKoNDZlEMfS85pzP05r1GS7tEilV6qqYoxqWjVIAHfmXGZNLQT3TsIMTUMTmEZcEFfQ3UnfvW-vcpFkdkyexg/s320/The+Dancing+Girl+and+the+Turtle.png" width="206" /></a></div>
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<span style="font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 200%;"><br />From the intriguing title to the final, inevitable end,
I was totally enthralled by this novel. <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 200%;">Set in China, before the outbreak of World War Two, “The
Dancing Girl and the Turtle” tells the story of Anyi Song, who on her way to
live with relatives in Shanghai, is involved in a horrific incident that will
colour the rest of her life. <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 200%;">Although she is loved and cared for by her cousin Cho,
she cannot settle in this vibrant and complex city and must carve her own way
through the web of family obligation, guilt and her need to be her own woman.<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 200%;">Karen Kao brilliantly conveys the atmosphere of a
decadent, yet enticing metropolis. Her characters are vividly drawn and the unusual
structure, where Anyi and her cousin Cho speak in the first person, while all
the other characters are written in the third person intensifies the reader’s involvement
with the protagonist at the same time allowing for multiple points of view,
which add richness to the novel. <o:p></o:p></span></div>
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<span style="font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 200%;">The language is lyrical and although there is much
violence and suffering there are also images of great beauty, such as Cho’s
description of his cousin, which has the spareness of an Oriental print. <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 200%;">“Her eyebrows are delicate birds in flight and beneath
them lie her dark lashes and their shadows. Her skin could be porcelain but for
the two spots of red high on her cheeks.”<o:p></o:p></span></div>
<br />
<div class="MsoNormal">
<span style="font-family: "Times New Roman",serif; font-size: 12.0pt; line-height: 200%;">“The Dancing Girl and the Turtle” is both a beautiful
and a tragic book and I cannot thank Karen Kao enough for giving me the
opportunity to read and review it. <o:p></o:p></span></div>
mishahttp://www.blogger.com/profile/02817380292408084414noreply@blogger.com0tag:blogger.com,1999:blog-1759760031021894448.post-31689132937700429592017-05-21T17:03:00.000+01:002017-05-21T17:03:37.515+01:00Much more than a children's story<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsj2-ew1qoGHFYQkxXAf6T5L5p9YWYmCYkQjqyfs_bCw-M0ZJWgfj8k4pHBMrnlVABXXUS7nq0nXtGeWtJqijT3qeQH2Q94JTXkZvSjngV1dfW65-Hk1NHPAnZ0Iq6KyMe1-LUWVm1cPE/s1600/HC.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsj2-ew1qoGHFYQkxXAf6T5L5p9YWYmCYkQjqyfs_bCw-M0ZJWgfj8k4pHBMrnlVABXXUS7nq0nXtGeWtJqijT3qeQH2Q94JTXkZvSjngV1dfW65-Hk1NHPAnZ0Iq6KyMe1-LUWVm1cPE/s320/HC.jpg" width="205" /></a></div>
<br />
<br />
<span style="font-size: large;">I’m aware that I’m many decades too old to be writing a review of a book aimed at children, but the subtlety and fascination of the way the author has conceived and handled the ‘Choice’ of the title, as well as the nature of the alternatives confronting the Hare, make it one of those stories that has plenty for adults to enjoy and reflect on. It’s beautifully written but I hesitate to focus on any of its specifics because I might inadvertently create a spoiler. I’ll therefore just record that its turning point surprised and delighted me, and opened up reflections on the very processes of fiction which stayed with me long after I’d put the book away. It also ensured that I’ll be buying the other two books which complete the trilogy. As much as any classic story – children’s or adults’ – this is one that gives lots of ‘normal’ pleasure in its characters and narrative shifts but also stimulates deeper thinking about the reading experience itself. It's a complete delight.</span>Bill Kirtonhttp://www.blogger.com/profile/16345949773423764808noreply@blogger.com0tag:blogger.com,1999:blog-1759760031021894448.post-35274561213602273472017-01-23T13:17:00.002+00:002017-01-23T13:22:35.399+00:00The Cruise of Naromis. August in the Baltic 1939 By G.A.Jones<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Every now and then a book pops up out of
nowhere and grabs you by the throat. Not in a brash or aggressive way, but by
sneaking under your skin and eyebrows and being hard to put down or ignore.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-US">The Cruise of the Naromis is one of these.
It came to light in a fairytale way when Julia Jones, the author and publisher,
took a long hard look at some papers left many years before by her father
George, which turned out to be an almost casual account of a motor boat trip undertaken
in the very month before World War II became a reality rather than a lurking
fear.<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-US">George and his four friends, all carefree
and middle-class, joined the RNVSR – a sort of amateur navy for small boat
freaks – and took a ‘pleasure trip’ up the Kiel Canal to the Baltic Sea,
fraternizing happily with men who very shortly became England’s sworn enemies.<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-US">Along the canal through Germany, school
children waved happily at them, and German-speaking young men drank with them
like traditional brothers of the sea. And all the time Hitler and Churchill
were making their dreadful preparations.<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-US">Julia’s father gives a peculiarly specific
picture of a certain type of young man, in a certain era coming to an abrupt
and catastrophic end. His companions tended towards classic English nicknames –
he was ‘Honest George’ and there were also ‘Skip’ and ‘Fattie’ – and classic
English attitudes. Their boat was also of that ilk: built of wood on the
Norfolk Broads, with two diesel engines and a full suit of sails. Think Arthur
Ransome, think Captain Flint.<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-US">Think, as they did, lovely, dreamy,
flaxen-haired German damsels drinking tons of German beer and elegantly smoking
cigarettes. Enough to make a young man’s heart ache or break.<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-US">Nothing much happens to them on the trip –
thank God – but they take a lot of photographs, which they (perhaps
disingenuously) see as pretty insignificant. Oh yes, of shipping in the Kiel
Canal the week before the war breaks out. They were possibly lucky to end up
alive, who knows?<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-US">But they did, thank heaven, and because of
that we have Julia Jones and the rest of George’s family. Like this book, worth
cherishing. <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
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<span lang="EN-US">Published by Golden Duck. Isbn:
9781899262335 <o:p></o:p></span></div>
Jan Needlehttp://www.blogger.com/profile/15823078224282953782noreply@blogger.com0tag:blogger.com,1999:blog-1759760031021894448.post-1915601819028584122017-01-06T12:00:00.000+00:002017-01-06T12:12:03.670+00:00The Cruise of Naromis by G. A Jones<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2801K-c2nIf3Ug-A9ZhN5HtJIsXwx935g7inPcBWflcHq6Lrb1p1onEYB0ktsqHQA7395S2G0oCDfZ71mgktl31mG9XSP-0KUL1BblGHsrP35LPPe09WPQd2zAUafX7DMJnVSDSPhH4s/s1600/naromis.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2801K-c2nIf3Ug-A9ZhN5HtJIsXwx935g7inPcBWflcHq6Lrb1p1onEYB0ktsqHQA7395S2G0oCDfZ71mgktl31mG9XSP-0KUL1BblGHsrP35LPPe09WPQd2zAUafX7DMJnVSDSPhH4s/s320/naromis.jpg" width="204" /></a></div>
<div class="1stpara">
<br /></div>
<div class="1stpara">
<span style="font-family: "trebuchet ms" , sans-serif; font-size: large;">There’s a fairy tale aspect to this book’s genesis – a
daughter finding in the attic her father’s account of a cruise he took with
some friends and deciding to publish it. But it’s the timing and itinerary of
the journey itself that make it such an extraordinary tale. The crew of the
Naromis are young men who enjoy cruising, meeting people, and sharing a few
drinks. But there’s another telling sentence in the introduction his daughter
wrote which gives their voyage a wider perspective: ‘He was’, she writes
‘afraid of being afraid’. And fear was an understandable part of the mix at the
time because it was August 1939, he was 21 years old and their trip would take
them across the North Sea to the Baltic and even to Germany.</span></div>
<div class="1stpara">
<br /></div>
<div class="1stpara">
<span style="font-family: "trebuchet ms" , sans-serif; font-size: large;">The result is an account which combines anecdotes of the
‘ordinary’ fun and perils of small boat cruising with descriptions of uneasy
encounters with minesweepers and other warships all obviously preparing for the
conflict that was about to start. It’s reminiscent of the famed ‘Xmas truce’ of
1914, which highlighted the coexistence of the horrors of war and the simple
humanity of those involved in waging it. In the course of their voyage the crew
meet and befriend various people, including Germans, and for the writer, George
Jones, the encounters are ‘normal’ and interesting. Simultaneously, though,
he’s forced to acknowledge the evidence of tension and threat embodied in the
vessels past which they sail. As they enter a German port, children onshore
wave and smile 'at the hated English', the crew make ‘temporary political
adjustments’ with their German drinking friends, and ‘good will’ prevails in
their relations with nearly all the Germans they meet. At the same time, George
notes that some of the places they visited would soon be ‘targets for Bomber
Command’.</span></div>
<div class="1stpara">
<br /></div>
<div class="1stpara">
<span style="font-family: "trebuchet ms" , sans-serif; font-size: large;">The immediacy and unadorned frankness of his observations are
strangely reassuring and yet their very ‘ordinariness’ serves to underline the
true horror of what the next six years would bring. Indeed, the end of the trip
in a way reflects the contrasts and essence of the whole experience. On the
final leg of the voyage on September 1<sup>st</sup>, the Naromis ran aground a
few miles north of the Humber. The crew waded ashore but returned later and had to ‘sit in the sloping cabin waiting for
the tide’ to lift her off again. The various activities associated with the
whole incident are recorded with humour and warmth. On the same day, Germany
invaded Poland. Two days later, war was declared.</span></div>
<div class="1stpara">
<br /></div>
<div class="1stpara">
<span style="font-family: "trebuchet ms" , sans-serif; font-size: large;">The main account is book-ended by an introduction and
afterword written by George’s daughter, Julia, who edited his notes for
publication. Her love for and pride in her father are self-evident but equally,
she’s sensitive to the 'unreality' of the whole enterprise, and the afterword in
particular stresses the awfulness of war's ghastly intrusion into the innocence
of daily things. The whole book is a fascinating read and provokes reflection
on the huge gap that separates those wielding power and the rest of us who
suffer the consequences of its misuse.</span></div>
<div class="1stpara">
</div>
<div class="MsoNormal">
<br /></div>
Bill Kirtonhttp://www.blogger.com/profile/16345949773423764808noreply@blogger.com0tag:blogger.com,1999:blog-1759760031021894448.post-64107415346342226112016-10-01T00:00:00.000+01:002016-10-01T00:00:00.438+01:00The Fates of Nations by Paul Colinvaux<div dir="ltr" style="text-align: left;" trbidi="on">
<b>Reviewed by Susan Price </b><br />
<b>Warning: This blog is much longer than usual, but it reviews a fascinating book.</b><br />
<br />
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<b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8xv8JgFAbl1fki1PcPnVKyazh2N44wZnZzzaDVrUpOI2eVkMt408rDKzaSV0ooqCusWWu1EcXUO0rS6teBg2bYzBmrpt8hwhz7nHLEVrHOLnEZ3dSePbDAkPgPua5uig3QdNIW7x8WOA/s1600/9780140225167-us-300.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8xv8JgFAbl1fki1PcPnVKyazh2N44wZnZzzaDVrUpOI2eVkMt408rDKzaSV0ooqCusWWu1EcXUO0rS6teBg2bYzBmrpt8hwhz7nHLEVrHOLnEZ3dSePbDAkPgPua5uig3QdNIW7x8WOA/s320/9780140225167-us-300.jpg" width="214" /></a></b></div>
<br />
<br />
Why does the human race - supposedly intelligent - keep fighting wars, despite all that has been said against the habit?<br />
Why do empires, such as the Roman and the British, periodically rise and then fall or fade away?<br />
Why do leaders such as Alexander, Napoleon and Hitler
periodically arise to lead their people into war - and why do the people
willingly, even eagerly, follow them? <br />
Why has Europe been, for centuries, a 'cockpit of war' and revolution? <br />
Can the EU prevent such 'Wars of Civilisation' in the future?<br />
Why is the continent of Africa riven with war?<br />
Why are so many vicious, murderous political gangs - I could
say 'IRA' or 'Baader Meinhof' or 'Daesh' - drawn from the nicely
brought up and spoken boys and girls of the middle-classes, who, on the
face of it, have comfortable lives and little need to fight for
'freedom'?<br />
And why, in every part of the world and at
all times, have the poor always had many more children than the rich,
despite being able to afford them less? Why does contraception and
education make little difference to this trend?<br />
<br />
All these many questions, and more, can be answered very simply. Niche-Space and Breeding Strategy.<br />
This theory is argued by <a href="https://en.wikipedia.org/wiki/Paul_Colinvaux">Paul Colinvaux</a> in his<b> 'The Fates of Nations.'</b> He was an ecologist, and <b>The Fates of Nations</b>
answers all these questions by applying the rules of ecology, not to
salmon or brown bears or wildebeeste, but to that other animal, the
Naked Ape.<br />
<br />
Colinvaux defines 'niche-space' as
'a specific set of capabilities for extracting resources, for surviving
hazards and for competing; coupled with a corresponding set of needs.'
It describes not only the amount of physical space an animal requires to
live naturally and healthily, but also the animals' requirements in
terms of climate, type and amount of food, type and size of home or lair
and so on. <br />
Some niche-spaces are
larger than others. An acre of land can support many hundreds of deer,
if there is enough water and vegetation. It gives them all they need.<br />
However, that same lush, well-watered acre would not support a single
tiger. As a dedicated carnivore, a tiger needs access to many, many deer
to feed itself. Deer run away from tigers and many are too fast to be
caught. Also, all deer become skittish when there's a predator about. In
Yellowstone, after the reintroduction of wolves, deer stopped standing
about, grazing like cows. Even when the wolf-pack was in an different,
distant part of the park, the deer continued to move on frequently,
snatching a few mouthfuls here and there, but never staying in one place
for very long.<br />
So a tiger needs to be able to shift
ground frequently, to find more unsuspecting prey. Every single tiger
needs a large territory, which it will defend from others.<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgV9MokCiSe2t-atVZP55_-NT2M5xm8tvlDB4xROZpBFkFyoQjhqWz7uWY-wn2iiBjkwVtDKpQKyFZYOu2j0Jb_X5dNMWKb0Jo7exo8qPkT4WeNgJ8tUK0yRcBO6o6GulZWp4JDpGywqoo/s1600/Tigers+Rare.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgV9MokCiSe2t-atVZP55_-NT2M5xm8tvlDB4xROZpBFkFyoQjhqWz7uWY-wn2iiBjkwVtDKpQKyFZYOu2j0Jb_X5dNMWKb0Jo7exo8qPkT4WeNgJ8tUK0yRcBO6o6GulZWp4JDpGywqoo/s200/Tigers+Rare.jpg" width="200" /></a></div>
This is, as Colinvaux put in in the memorable title of another of his books, <i>Why Big Fierce Animals Are Rare</i>.
Long before humans became a plague on the earth, before tigers' habitat
was remotely threatened, long before they could be efficiently
slaughtered for the supposed medicinal value of their bones, even then,
tigers were still rare compared to deer or mice or strawberry plants.
They were rare because they had a comparatively wide niche-space. Making
a living as a tiger demands a lot of resources in terms of space and
prey animals.<br />
Colinvaux calculates that when humans were
living their natural, Ice-Age life, as hunter-gatherers, they were
about as common as bears. That is, more common than tigers, because
bears and humans are omnivorous and will stoop to eating fruit,
vegetables and grubs, but a lot rarer than deer or mice.<br />
<br />
That's Niche-Space. Then there's Breeding Strategy.<br />
Every species that has ever lived has always had the same breeding
strategy: to have as many off-spring as it's possible to raise to
adulthood.<br />
For most animals, this is more or less fixed,
so much so that naturalists can write of the 'typical' litter or clutch
size for a particular species. This is because an animal's niche-space
is usually fixed. As Colinvaux puts it, a squirrel, or any other kind of
animal, is 'highly tuned to a very specialized profession.' A squirrel
cannot decide that, hey, it would rather be a tiger - any more than a
tiger can decide that it would like to try out life as a dolphin.<br />
Evolution has therefore roughly fixed the optimum number of off-spring
an animal can have. A very good year may result in birds producing a
second clutch of eggs or other animals having a second litter, but
that's an exception. In a bad year, when the land can't support the
numbers, the animals starve and the population falls. The population of
predators is linked to that of their prey. A good year for mice and deer
means a good year for wolves and foxes - and vice versa.<br />
<br />
Evolution
has also fixed the approach most species take to child-rearing:
low-investment or high-investment. Low investment species, such as
salmon, spawn and fertilise hundreds of eggs at a time. Almost all of
them will be eaten, either as eggs or fry. One or two might survive and
that's all that matters. The salmon might have made an almighty effort
to reach its spawning place but once the eggs are laid, it troubles
itself no further about its off-spring.<br />
High-investment
species, such as bears, cats and naked apes have one or two off-spring
at a time, and they invest a lot of time and effort in feeding and
training them. It's a high-risk strategy because, in a bad year, the
off-spring might die - or be killed to ensure the survival of older
off-spring or the parents. Some animals are known to kill and eat their
young if faced with a threat to their own survival. Colinvaux argues
that early humans almost certainly regulated their population not only
by leaving granny on the ice-flow, but by leaving junior with her.
Historically, we know that people frequently abandoned children they did
not think they could afford to raise. <br />
<br />
<h3 style="text-align: left;">
Changing Niche Space</h3>
Animals can't change their niche-space - not
by themselves, anyway. Some have become domesticated, some have learned
to live alongside humans, but that came about as a result of human
actions<br />
The Naked Ape, however, learned to change its niche-space, and has done so repeatedly.<br />
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEix5BS8lrfS9vSiNJq7wifRxxCdtCEci4Jaghf-JXwhFyOQpw00zNiuF8IECMEZaoTi0mLY54dc7P60TCFaXKf1KI3oj3q1I1r6abXB51KRAdBC4fSz6ywLjcxZEL9jTpk98At8uP3h3fg/s1600/Naked+Ape.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEix5BS8lrfS9vSiNJq7wifRxxCdtCEci4Jaghf-JXwhFyOQpw00zNiuF8IECMEZaoTi0mLY54dc7P60TCFaXKf1KI3oj3q1I1r6abXB51KRAdBC4fSz6ywLjcxZEL9jTpk98At8uP3h3fg/s1600/Naked+Ape.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">The Naked Ape, by Desmond Morris</td></tr>
</tbody></table>
First, they were nomadic hunter-gatherers,
as common as bears. But they learned to hunt and gather in almost every
part of the world - in the Europe of the Ice Ages, in the rain forest
and deserts of Australia, in Africa, on Siberian tundra, in the far
North of Alaska. In doing so, they increased the niche-space of their
species. Instead of being limited to a local population in the tropics, or the temperate regions, naked apes spread to every part of the world except the extreme poles.<br />
But this spreading population was still limited by the resources available to hunter-gatherers. They
followed the high-investment breeding strategy of having one or two
children at a time, and spending much time rearing them. As with all
other animal species, their population increased during good times, when
more children were born and survived - but might crash during bad times
when fewer mothers were in condition to give birth and more children
died. So the population remained relatively stable.<br />
<br />
But
then, astonishingly, these animals learned to stop hunting and to herd
the animals they needed - whether reindeer, or goats or cattle. They
maintained the population of their prey-animals by protecting them from
other predators and helping them to find food. This meant that the naked
apes themselves could confidently expect to raise more children to
adulthood because there was a more certain food supply. Their
population increased - and increased again, because it was much less affected
by bad years.<br />
Moving from hunter-gatherers to herders
meant an increase in niche-space: more resources were available. But, as
ever, the increase in resources was soon absorbed by the increased
population brought about by breeding strategy.<br />
<br />
Not to worry, though, because herding led
on to settled farming, another huge increase in niche-space. Now, not
only were the prey animals kept in one place, protected and provided
with food, but the neccessary plant foods were too. Food could be
produced more efficiently, and also stored more efficiently when it
didn't have to be carried with a nomadic group, or hidden in caches.<br />
These were huge changes in life-style for the naked ape - but
the breeding strategy remained the same. A great many more naked apes
were born to take advantage of the niche-space - but more niche-space was also being created by the emergence of city-states and a whole new way of life.<br />
For one,
if you could produce more wealth than your neighbour, you could persuade
your neighbour to do most of your work for you, in return for a share
of your produce. So different classes came into existence.<br />
Why make your own clothes, shoes and pots when it was more efficient to
pay someone else to do it, and pay them in money or kind? Some people
found that they were good enough at singing or story-telling to make a
living at it.<br />
New technologies - the smelting of metals,
stone-masonry, ship-building - produced other niche-spaces, absorbing
the growing population and allowing them to make a living. A governing
class. A priest class. A warrior class. They were all sub-niche-spaces,
all provided livings.<br />
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtxQ8mewNRhJpa1fd83B_wsCvzaG_60w17m4wnEu_PXGV1MfsyyjUsr0ydfQ7BBPxFp3Z77MCGcYc3nZu3UI0x0hbQx1X-5qKSh5vIPnebluPj1ZJAa8aiRFEWez1d-tbTFt3fBSf8Hr8/s1600/wikispace-greek+city+state+layout.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" height="218" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtxQ8mewNRhJpa1fd83B_wsCvzaG_60w17m4wnEu_PXGV1MfsyyjUsr0ydfQ7BBPxFp3Z77MCGcYc3nZu3UI0x0hbQx1X-5qKSh5vIPnebluPj1ZJAa8aiRFEWez1d-tbTFt3fBSf8Hr8/s320/wikispace-greek+city+state+layout.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><a href="https://smic5thgrade.wikispaces.com/Greek+City+States">City State - wiki</a></td></tr>
</tbody></table>
<br />
<h3 style="text-align: left;">
Niche Space Runs Out </h3>
But eventually, as the population grows,
there comes pressure on resources. So long as there's enough space in
the world to enable more land to be cleared or mined, this isn't a
problem - but if there's another city-state over there - and another one
over there - then the solution is more difficult.<br />
One
way of avoiding the problem of shrinking niche-space is to impose a very
strict caste or class system. Most societies of Naked Ape have tried
this, in some form, at many different times over the centuries. For
instance, only males are allowed to do certain jobs, usually high-status
jobs, while females have to find a male to support them. Or
restrictions may be applied to certain ethnic or religious groups, or
simply to 'a lower class' who are deemed 'serfs.' This tactic buys time,
for a while, but the breeding strategy ensures that the population
continues to grow - and, ironically, it's usually among the higher
classes where the squeeze of narrowing niche-space is felt first and
most painfully, by those children born to affluence who suddenly realise
there is no space left for them in the wider, freer niche-space their
parents enjoyed.<br />
<br />
Another way out of the problem is to
trade. You go to those states who are crowding your own, and you offer
to exchange surplus goods with them. You can even build ships and cross
the seas to trade with foreigners. This, for a while, solves the
problem. It creates a source of fresh produce and creates prosperous
jobs for many.<br />
But every increase in niche-space means an
increase in population - because the breeding strategy rolls on
unaltered. Every single person in these growing cities produces as many
off-spring as they think they can raise. Up and up goes the population,
particuarly among the poorest.<br />
<br />
Why do the poor have
more children, even when their more prosperous countrymen crush them
into a smaller and smaller niche-space?<br />
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXWyPkd5IwYACVXwGk4K2LA6Gdr_1HRDGUFLtv_uoxtWJdO4xCdsI_8nyIuuqa0IXJOcYS0j6g8pC08dnC_EQ5xIWkyLvtpMYCYtGbBSeB0RLbSL0A4nPMYh3AHOjXmBhu_Fbhbr6XrWs/s1600/SLUM+TOURISM.jpg" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="255" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXWyPkd5IwYACVXwGk4K2LA6Gdr_1HRDGUFLtv_uoxtWJdO4xCdsI_8nyIuuqa0IXJOcYS0j6g8pC08dnC_EQ5xIWkyLvtpMYCYtGbBSeB0RLbSL0A4nPMYh3AHOjXmBhu_Fbhbr6XrWs/s320/SLUM+TOURISM.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><a href="https://en.wikipedia.org/wiki/Slum_tourism">'Slum Tourism' - wikipedia</a></td></tr>
</tbody></table>
Because if you live, say, on a sheet of cloth
spread on a pavement, and your biggest aspiration for your children is
that they eat once a day, then children are cheap. They aren't going to
cost you much - indeed, it will possibly cost you more, in all sorts of ways, to prevent their
birth. Children will also start earning for you in infancy, so
where is the incentive to limit their number? <br />
If, however,
you are rather better off - if your plans for your children include a nursery, then
room of their own in a comfortable house, a crib, a nanny, a bed, good clothes and shoes, three or more meals a
day, a good education, toys, books, music-lessons, dance-classes,
training in a trade, a car (or horse) on their 18th, a good marriage
(with a dowry or big wedding) a house of their own, prosperity and
children of their own - well, then each child is going to cost you
thousands. One way or another, you make sure you have fewer. It's the
well-off who sit down with pencil and paper (or Excel) and work out if
they can afford a child. The poor, in this as in almost every other
life-situation, just get on with it.<br />
Again, it's about niche-space. The niche inhabited by the poor is
narrow. They have few choices and, as a result, few aspirations. But
this narrow niche is cheap. It requires few resources. The people
crammed into it are satisfied with little. My aunt, who grew up in a
slum, has often told me that, until she won a scholarship to
grammar-school, she had no idea her family were poor, since she had
never known anything better to compare to her family's way of life.<br />
<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9nmul-pV5q6i0KrybToGpOtn9FShJ_ZGZhvURuEXJeEj9yCwGEJUjVJ6NZ5A0k6QRFFXsLVIMcI8Z2ZLM8bJNb0NhpUlI_SdnA1rjern_ecO3RCTPi6AFieYVrNwKJUePRsbR_aaGphFg/s1600/Tigers+Rare.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9nmul-pV5q6i0KrybToGpOtn9FShJ_ZGZhvURuEXJeEj9yCwGEJUjVJ6NZ5A0k6QRFFXsLVIMcI8Z2ZLM8bJNb0NhpUlI_SdnA1rjern_ecO3RCTPi6AFieYVrNwKJUePRsbR_aaGphFg/s200/Tigers+Rare.jpg" width="200" /></a></div>
The niche-space
occupied by the better-off is wider, and increases with wealth. Indeed,
Colinvaux remarks that the richer a naked ape is, the more their life
includes aspects of the old hunter-gatherer life: - acres of beautiful
countryside as their 'territory', travel, hunting as a pastime, dogs and horses.
But although this niche is broad, offering many choices and freedoms,
it is very expensive in terms of resources. It can, therefore, be
occupied by far fewer than the narrow niches of the poor. The poor are
like deer - hundreds to the acre. The rich become more tigerish as they
grow richer. They defend their territory too.<br />
<br />
Herein also lies the answer to the question: Why are revolutions always led, not by the oppressed, but by the
middle-classes? and Why are so many vicious, murderous political gangs
drawn from the nicely brought up and
spoken boys and girls of those middle-classes?<br />
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhasxVuVjYkGIf3km9cUCwlw7Ouy2bdspVDKsMG_uBWD3HtgLfXb4o8mS_JOXSnnctW56knX4F4ALcpcLhD6t0GEmddvMSmuPOnkyekznL4yxoSvfWBn-jt6ZjTyzNtydiZWFIXjcIRORI/s1600/Eug%25C3%25A8ne_Delacroix_-_La_libert%25C3%25A9_guidant_le_peuple.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" height="253" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhasxVuVjYkGIf3km9cUCwlw7Ouy2bdspVDKsMG_uBWD3HtgLfXb4o8mS_JOXSnnctW56knX4F4ALcpcLhD6t0GEmddvMSmuPOnkyekznL4yxoSvfWBn-jt6ZjTyzNtydiZWFIXjcIRORI/s320/Eug%25C3%25A8ne_Delacroix_-_La_libert%25C3%25A9_guidant_le_peuple.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><a href="https://en.wikipedia.org/wiki/Culture_of_France">Delacroix - wikipedia</a></td></tr>
</tbody></table>
The aspiring and prosperous - from the middle
to the upper classes - have always had fewer children than the poor and
higher aspirations for the few they have. But the more freedom and choice a niche offers, the more resources it uses and therefore, the narrower it is. It is these narrow niches which feel the pinch first and the most keenly when the pressure on
resources mounts.<br />
The very wealthy, the ones who
call themselves 'aristocracy' are insulated by their extreme wealth - and they also have the most resources to use, tigerishly, in defence of what they have. The Military, the Church, the Judiciary, Communications, the Means of Production - almost all of it is in their control. Threaten their position and they will close rank - hence the strong swing to the Right we are experiencing in politics now.<br />
The poorest are used to hardship and never expected much anyway. They're
grateful to 'have a roof over their head and a loaf on the table.'<br />
But those caught in the middle, those who grew up expecting that
their life would include a comfortable house with a big garden, an
interesting, rewarding job, the wherewithal to travel and follow
interests, whether it be rock-climbing or pottery - what happens when
they find that they are going to have to settle for much less than their
parents had? When they find that they can't get a job, can't afford a house, or a car
or a holiday - or a child?<br />
It understandably comes as a
humiliating, painful shock. And why shouldn't it? After all, nothing
about the situation is their fault. They didn't choose the time they
were born in, or the way they were raised. Most of them have never even heard of
niche-space and breeding strategy and, even if they had, couldn't do
anything about it.<br />
<br />
<h3>
<b>When Trade Is Not Enough</b></h3>
So we've seen that you can
increase niche-space by trade and by technological advance - because a
new technology, whether it's ship-building or smelting metal, or
programming computers, creates jobs.<br />
But, in some
periods there comes a point when no new technology is coming to rescue the naked apes from their breeding strategy and trade is no longer supplying enough resources or enough
profit to support the growing population. What then?<br />
Then it inevitably occurs to the naked ape that if, instead of trading with a particular country, if they just <i>took</i> the country instead, that would be more profitable.<br />
At any given time, there are always several ambitious apes seeking
to be top ape, as apes will. If one of these ambitious apes happens to coincide with a squeeze
on niche-space - well, then you have an Alexander, an Augustus, a Clive
of India, a Napolean, a Hitler, all of them whole-heartedly supported
by their tightly-squeezed countrymen, longing for more niche-space -
which answers all those questions about war. Hitler even spoke about
'living-room.'<br />
Being a pacifist feels much more comfortable when your niche-space isn't too tight. (And is much more courageous when it<i> is</i> tight and all around you are in jingo-istic, empire-building mood.)<br />
These 'wars of civilisation,' Colinvaux points out, are <i>always</i>
a stronger, more technologically advanced state grabbing a weaker (if
not geographically smaller), less advanced, less organised country.
Whatever high-flown reason is given, whatever excuse is put forward, it
is always a straight-forward bullying snatch of land and resources by
the stronger state. There has never been an example of, say, a tribe of
Bushmen invading and conquering France or Britain. Barbarians took down
Rome, yes - but they were, in fact, highly organised and well-equipped
barbarians, quite wealthy in their own opinion - just as Genghis Khan's
'barbarians' were at a later period. In each case the 'barbarians' faced
large states exhausted by their efforts to find new niche-space; states
that had run out of options.<br />
<br />
The option of war and colonisation
creates niche-space not only by gaining access to resources such as food
and materials at less cost - it also creates interesting and generally
well-rewarded jobs for the young of the better-off. They become viceroys
and governors of the colonies, merchant-traders, spice-growers,
tea-planters, even missionaries. The armies needed to enforce colonisation also provide
niche-space for 'the sweepings of the gutter.'<br />
But
breeding strategy continues to do its stuff and the new niche-space
gained at the cost of war is filled up by the increasing population.<br />
Sometimes, it takes a while. The colonisation of Australia and
the Americas (and the genocide of the native civilisation,) siphoned
off surplus population and relieved pressure for several centuries.<i> 'Go West, young man.'</i> There will never, Colinvaux remarks, be such a pressure-release valve again.<br />
<br />
Why
was Europe the 'cockpit of war?' Too many nations crammed into one land
mass, their populations increasing and aspiring. Every time the
pressure of falling resources was felt, another revolution or war was
triggered as the prosperous classes felt the pinch and grew angry.<br />
<br />
To win big, final victories and establish an Empire lasting
hundreds of years, as the Romans did, you have to go against less
well-armed and organised opponents with a tactic they cannot withstand.
Alexander won his victories with the phalanx. The Romans had the legion
and the tortoise.<br />
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEig1fPT2sM-HxU4pDTUPPvYfg1RqRzn1d8CL1Au42FqYMdo8XJYbJ_OhyphenhyphenDxmMTzNduy07Qp8LEU-6LT1EMZ4YK7TZy4EMs7XCbyKqG3cr4q3MjSCBuFQqACcd55A-p9XArgZMZqLzY9UE8/s1600/Jan_van_de_Velde_naar_Pieter_Saenredam-1628_version_of_printing_press_from_1440.jpg" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEig1fPT2sM-HxU4pDTUPPvYfg1RqRzn1d8CL1Au42FqYMdo8XJYbJ_OhyphenhyphenDxmMTzNduy07Qp8LEU-6LT1EMZ4YK7TZy4EMs7XCbyKqG3cr4q3MjSCBuFQqACcd55A-p9XArgZMZqLzY9UE8/s320/Jan_van_de_Velde_naar_Pieter_Saenredam-1628_version_of_printing_press_from_1440.jpg" width="240" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><a href="https://en.wikipedia.org/wiki/Laurens_Janszoon_Coster">Wikipedia: printing press</a></td></tr>
</tbody></table>
But in Europe was developed a piece of
technology than not only created a lot of niche-space, but meant that no
war-like state was going to be able to win crushing, final victories
in Europe ever again:- the printing-press. Once the printing-press was invented,
any new tactic was, within a few years, available to
everyone else. Hence the endless round of revolutions and wars in
Europe, which had no direction, not north, west, south or east, to send
its restless and disappointed young and no way of winning new
niche-space by winning a lasting victory over another European state.<br />
This is also why Africa is riven with so many wars now - and why Europe probably will be again.<br />
<br />
Oh,
but the European Common Market was created, in part, to prevent war in
Europe ever happening again. I had little faith in this argument before I
read <i>Fates of Nations.</i> I have none now. All over Europe are
nations seething with people whose niche-space has just crashed in on
them, crushing them into a place where they don't want to be. Revolution
and war will follow, as they have always done. There were trading agreements and international contracts and rules before the EU. They never prevented war and revolution in the past and it's hard to see why they should now.<br />
In the last couple of months, the
IRA have started attacks again. Daesh commit atrocities while journalists
confess themselves puzzled that the boys and girls who run away to join
Daesh are not only 'middle-class' but appear to know little about Islam.
Nor, often, it seems, do the people who recruit them.<br />
That's because it's not, at bottom, about religion or politics. It never
was. It is, and always was, about niche-space made tight by breeding strategy.<br />
Left-wingers in the UK at the moment are puzzled and despairing at the
political swing to the right - by the fact that the 'Nasty Party' keeps
being re-elected, despite their proving, again and again, just how nasty
they are. Good-hearted people are dismayed by the increasing
xenophobia, the increasing tendency to stigmatise and isolate the poor.
They are distressed by the push to turn schools into academies which can
refuse admission to pupils who, to be blunt, they consider not good
enough and by the push to privatise the NHS, which would take us back to
my great-grandparents' age, when one of their children died because
sending for a doctor would have cost twelve and a half pence. Which they
didn't have to spare.<br />
Colinvaux isn't puzzled. The
shift to the right, the hardening of class-barriers, is shrinking
niche-space in action. As niche-space shrinks those with the widest niche-space move, like tigers, to protect their territory. They harden their attitude, become more callous, more
prejudiced and xenophobic, less open to argument or new ideas. This is
shown in the way they vote.<br />
As the niche-space of others contracts, that of the very
wealthy becomes ever wider and more comfortable. We'll soon be back to
those good old Victorian Values so beloved of the Tories - when servants
were plentiful and cheap and the lower-classes knew their place.<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjN9anYEBnC-1D55JPze8hRSnWBKu7dgJ9SJu5bUHjN3zQ6FffLiaD-qLXmVeVAGS_X4Jdo6FSQG-20G_WKn0MzQl9OiCPXvasTtwj1WyqwHdN624ok-w3O-Qj_VzRfjXthJfrq9qGS-IU/s1600/9780140225167-us-300.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjN9anYEBnC-1D55JPze8hRSnWBKu7dgJ9SJu5bUHjN3zQ6FffLiaD-qLXmVeVAGS_X4Jdo6FSQG-20G_WKn0MzQl9OiCPXvasTtwj1WyqwHdN624ok-w3O-Qj_VzRfjXthJfrq9qGS-IU/s320/9780140225167-us-300.jpg" width="214" /></a></div>
<br />
Humans
have changed their niche-space again and again but, like all other
animals, they have never changed their breeding strategy. They
stubbornly continue - as they have throughout history - to have as many
children as they think they can raise to adulthood within the
niche-space they occupy at the time. It's ruinous, to human society and
the planet.<br />
<br />
We not only have as many children as we
think we can raise, massively increasing demand on resources year on
year on year - but we are now occupied in trying to escape death for
longer and longer, in trying to ensure that infertile couples can have
children too, and in preserving the lives of those who would have
naturally died young.<br />
<br />
I first read Colinvaux's <i>The Fates of
Nations</i> over 20 years ago. It lit up my head then, and it does now. I
look around, I watch the news, and see the theories of niche-space and
breeding-strategy at work everywhere. Indeed, my family are becoming
fed-up with hearing me mutter, "Niche-space," at regular intervals.<br />
<br />
The book is fascinating. Not cheerful - in fact, rather depressing - but clarifying. Clarity is often depressing.<br />
<br />
It's
particuarly uncheering for a left-winger like me; but it's hard to deny
the truth behind it. The theory doesn't justify war, cruelty,
infanticide and so forth. It simply makes clear the ecological pattern that
is expressed through them.<br />
<br />
In short, a great book if you want to think. But not if you want to sleep easy.<br />
<br />
<div style="text-align: center;">
<a href="https://www.amazon.co.uk/s/ref=nb_sb_noss?url=search-alias%3Dstripbooks&field-keywords=Colinvaux%2C+Paul">Find Colinvaux's books here. </a></div>
</div>
Susan Pricehttp://www.blogger.com/profile/07738737493756183909noreply@blogger.com0tag:blogger.com,1999:blog-1759760031021894448.post-25525965184268579932016-09-24T00:30:00.000+01:002016-09-24T00:30:16.793+01:00Unsafe Acts by Bill Kirton Review: Jan Needle<div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;">
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<div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;">
<span style="font-family: verdana; font-size: 13pt;">Unsafe Acts, which features Aberdeen detective Jack Carston, has got the lot for thriller fans -
except mindless violence. Bill Kirton's violence comes from the harsh world of the offshore oil
industry, and is a product of the cruel environment, both physical and mental. A rig safety officer
is beaten to death because his colleagues think he's gay, although in fact he is in a long term relationship with a prostitute whom he wants to help bring
up her little son. </span></div>
<div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;">
<span lang="EN-US" style="font-family: "verdana"; font-size: 13.0pt;"><br /></span>
<span lang="EN-US" style="font-family: "verdana"; font-size: 13.0pt;">This woman, his spiritual and physical comfort when he comes
ashore on leave, is quickly murdered too. It is vividly upsetting.<o:p></o:p></span></div>
<div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;">
<br /></div>
<div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;">
<span lang="EN-US" style="font-family: "verdana"; font-size: 13.0pt;">Investigating the tragic acts, helped and sometimes hampered by his
colleagues, Jack Carston soon picks up on deeper corruptions and crimes.
Oil is all about vast sums of money, and when a rig begins to show signs of
failing, the money men (in America) have interest only in the bottom line.
Corners must be cut. Dangerous and illicit acts must become the norm. The woodwork is infested. The worms are coming out...<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "verdana"; font-size: 13.0pt;">This book is not 'just' a thriller.</span><span style="font-family: '"verdana"'; font-size: 17.5px;"> Carston's attitude to crime, criminals and colleagues is refreshingly unlike that of any other DCI I've ever met in fiction, and there are four more books out there waiting for me to devour. </span><br />
<span style="font-family: '"verdana"'; font-size: 17.5px;"><br /></span>
<span style="font-family: '"verdana"'; font-size: 17.5px;">I can hardly wait.</span><br />
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Jan Needlehttp://www.blogger.com/profile/15823078224282953782noreply@blogger.com0tag:blogger.com,1999:blog-1759760031021894448.post-1083454817115073382016-09-11T00:05:00.000+01:002016-09-11T00:05:00.233+01:00In Too Deep by Jan Needle review by Bill Kirton<div class="MsoNormal">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjiZoi2-S02EmNnxG8UJKG7rZQphv5sgPbShoQHTBmcvlF3Aq6WcuVX1NvlNi0_iD3ztMn9SPYAJ-n1WyKo3RTXOC9jOmAgGNMOrZ2cxjr68YBNV-3rjgLOdAyDBXlFGzFt-Zmp2huSpOA/s1600/%2521%2521%2521Jan.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjiZoi2-S02EmNnxG8UJKG7rZQphv5sgPbShoQHTBmcvlF3Aq6WcuVX1NvlNi0_iD3ztMn9SPYAJ-n1WyKo3RTXOC9jOmAgGNMOrZ2cxjr68YBNV-3rjgLOdAyDBXlFGzFt-Zmp2huSpOA/s320/%2521%2521%2521Jan.jpg" width="213" /></a></div>
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<span style="font-family: Verdana, sans-serif;">This is a quick, highly entertaining read which will appeal to
different audiences. For those who know nothing or little of the background to
the true story of Buster Crabb, it’s a short, fast-moving combination of
spying, crime, adventure and political power games, told in an unadorned,
muscular vernacular. The characters are skilfully drawn, express their opinions
in a no-holds-barred way and, with few exceptions, somehow conspire to let the
whole adventure go ahead without doing too much to prevent it. </span></div>
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<span style="font-family: Verdana, sans-serif;">However, those familiar with the history of 20<sup>th</sup>
century Britain and particularly with this embarrassing episode, which occurred
back in the time of Anthony Eden, will enjoy the greater complexity Needle
achieves. His take on the story and his insertion of characters such as Bond
creator Ian Fleming, Eden himself, Kim Philby, Anthony Blunt and others into it
gives him scope for plenty of tongue in cheek descriptions of meetings,
conversations and examples of the incompetence of those overtly in control.
There’s nothing gratuitous about it; those people were around, actually
occupying the positions of authority and power he describes. But his hindsight
and sense of humour gives him plenty of scope for satire, which he uses to
great effect. Anthony Blunt’s predilections earn him the title of ‘Queen
Mother’, the little cameo of Ian Fleming reveals him to be an unpleasant writer
of ‘penny dreadfuls’, and I hope very sincerely that the source Needle
identifies for the title of his story for children, <i>Chitty Chitty Bang Bang</i>, is true.</span></div>
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<span style="font-family: Verdana, sans-serif;">Beyond all this, though, the timing of this publication must
be deliberate. Back then, as now, Old Etonians were in charge and the British
class system was solidly entrenched. The strange assumption that an Etonian
education prepares one for high office is subtly questioned here as all those
responsible for the enormous cock-up of the whole Crabb episode show themselves
as ill-informed incompetents who hurry to shift the blame onto others, who,
naturally, are further down the pecking order. Needle is too subtle a writer to
make any direct comparisons or references, but the parallels between this
escapade and events of the past few months are blatant.</span></div>
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<span style="font-family: Verdana, sans-serif;"><br /></span></div>
<span style="font-family: Verdana, sans-serif;">So it’s a good, lively read but at its centre
there’s the bitter and still relevant truth that those at the top play their
little games and care little for the victims who have to live, and die, with
the consequences.</span>Bill Kirtonhttp://www.blogger.com/profile/16345949773423764808noreply@blogger.com0tag:blogger.com,1999:blog-1759760031021894448.post-25603200502248072552016-09-04T00:05:00.000+01:002016-09-04T00:05:00.149+01:00A powerful plea for ‘more than haphazard goodwill’.<div class="MsoNormal">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXas2whbLdZHpauIgpxJ6NpmBbP7o9n6kIbO3jOnwx7x0b0VAJTwX38DH5-dADnzWWSnW1DGtYE55RJv3x0PD2dgR6PZZ7qzAsbtNqDuH-5-Y0Tv_kWUmlevY4EJD4FZVBPq91BF8W9Sc/s1600/jj.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXas2whbLdZHpauIgpxJ6NpmBbP7o9n6kIbO3jOnwx7x0b0VAJTwX38DH5-dADnzWWSnW1DGtYE55RJv3x0PD2dgR6PZZ7qzAsbtNqDuH-5-Y0Tv_kWUmlevY4EJD4FZVBPq91BF8W9Sc/s320/jj.jpg" width="202" /></a></div>
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span>
<span style="font-family: "trebuchet ms" , sans-serif;">Other reviewers have outlined the background to this
publication and stressed the close professional interest Ms Jones has had in
Margery Allingham. This first publication of Allingham’s <i>The Relay</i> with elucidations and additional commentary by Ms Jones
brings the two together into a far more personal relationship as both
experience and write about the demands, frustrations and, yes, occasional
pleasures of caring for older people with dementia.</span><br />
<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">Ms Jones conveys the
crises of old age with the striking image of ‘a shipwreck in slow motion’ and
few of us need to be reminded of how challenging it must be to witness such a
process at first hand. Indeed, Allingham warned that ‘the problem of old people
was one which must be approached with more than haphazard goodwill’.</span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;"><br /></span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">The subject is distressing and, even though there are plenty
of tender, touching moments and even injections of humour by both writers, in
essence this is an acceptance of some painful and inescapable truths, an
analysis of the interactions between those suffering from the condition and
their carers, and an attempt to propose approaches which see the whole process
in a broader context. More than that, the perspectives of the two writers,
separated by some fifty years, chart society’s changing attitudes to old age
(as well as some which persist), and illustrate very starkly how much further
we need to go not only in the provision of care but also in our understanding
of the dynamics of the relationships involved.</span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">Although she does refer to the specifics of her own
situation as part of a caring solution, there is a deliberate detachment in
Allingham’s account. She seeks to discard stereotypes and proposes structured
relationships and solutions based on two-way processes. In order to help her
analysis, she uses generalising terms – ‘old people’, ‘Care’ (her word for
carer). What makes the book work so well, however, is the way the clear-minded
analysis is then peopled and personalised by Ms Jones’s reflections on it and her
day to day experiences with her mother. Both writers are telling painful truths
and yet they manage to penetrate beyond the stereotypical image of a sad bewildered
sufferer and a helpless, frustrated ‘Care’. In Ms Jones’s exchanges with her
mother she feels that she’s ‘transferring scraps of her identity across to me’.
Allingham warns that ‘Old people sometimes take lives without noticing it. It
is up to everybody to protect his own.’ The concept of what ‘home’ means to sufferers
is examined. What is it? The Almighty? The place where they grew up? Some other
part of their life? Death? Or do they just want to get back to being who they
used to be? When brains work less efficiently, when memories vanish or merge,
normal reality offers no answers or remedies.</span></div>
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<span style="font-family: "trebuchet ms" , sans-serif;">The book will touch you but it will also set you thinking,
make you question some of the assumptions you make about age, personality, inter-generational
communication. The writing is beautiful, often very simple, and the two voices
draw you into a complex counterpoint, present you with a universal situation
which is personalised by little memories, touches, moments of lucidity and,
above all, the cruel paradox of how love can generate so much pain. </span></div>
Bill Kirtonhttp://www.blogger.com/profile/16345949773423764808noreply@blogger.com0tag:blogger.com,1999:blog-1759760031021894448.post-45928081327931806332016-07-26T18:04:00.002+01:002016-07-26T18:04:58.338+01:00The Seven Year dress by Paulette Mahurin<div class="MsoNormal">
<b>Reviewed by Chris Longmuir</b></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1qoIiIVNtDCjInuL7SWL9PVWBPuMd-eqOIpn35IMqTqX-zMoP7pFdZALkG1kSecrJSKAiSJyWnp9TN3pxxeTOjSU01SCFPxd-QsTcIYV3CP7fZkm4w-FGjcgNn2pwIrVergSe4pJ5Vrd4/s1600/Seven+Year+Dress.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1qoIiIVNtDCjInuL7SWL9PVWBPuMd-eqOIpn35IMqTqX-zMoP7pFdZALkG1kSecrJSKAiSJyWnp9TN3pxxeTOjSU01SCFPxd-QsTcIYV3CP7fZkm4w-FGjcgNn2pwIrVergSe4pJ5Vrd4/s320/Seven+Year+Dress.jpg" width="211" /></a></div>
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The Seven Year Dress was a moving story that cannot fail to draw the reader into the horrors of the holocaust.</div>
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We meet Helen Stein in the 1920s when life was good for her, although the shadow of Hitler’s Nazi Germany was creeping insidiously into her life. At first, these changes are unnoticeable and the disbelief of many of those who will be affected is well depicted. It is this disbelief that prevents many of them escaping while there is still time to do so.</div>
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Helen’s father, a well-respected attorney working for the government, loses everything, even his life. Her friend Max joins the Hitler Youth and then the SS, in an attempt to hide his homosexuality. But it is Max who comes to Helen’s rescue by hiding her in the cellar of his family’s farm, and he pays the price for this with his life. Helen and her brother remain in the cellar for 4 years before they are captured and sent to Auschwitz, where Helen, the only survivor of her family remains for the next three years, enduring all sorts of horrors before being rescued by the Russians.</div>
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Helen’s life is one of hardship, persecution, and torture, but her will to live ensures she is a survivor. This book is not easy to read, but I’m glad I did. </div>
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Chris Longmuir</div>
Chris Longmuirhttp://www.blogger.com/profile/02488093821886798927noreply@blogger.com0tag:blogger.com,1999:blog-1759760031021894448.post-87206416342326669482016-07-17T12:04:00.000+01:002016-07-17T12:04:23.644+01:00Point of No Return by Diana J Febry<div class="MsoNormal">
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<b>Reviewed by Chris Longmuir<o:p></o:p></b></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiH_CBubpda6TxNDchBCUshOTohY117i-RaAUiKpa6mR7fOP0-ih3Yq8mijyIkS-NDGmDsF5OO_T-Y93_EZ0g0vG1_LxYhUswdFUtE_HRfG_cjtCyxihlXFdb4OLOJS_kYNtMmZ1shUlYZa/s1600/Point+of+No+Return.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiH_CBubpda6TxNDchBCUshOTohY117i-RaAUiKpa6mR7fOP0-ih3Yq8mijyIkS-NDGmDsF5OO_T-Y93_EZ0g0vG1_LxYhUswdFUtE_HRfG_cjtCyxihlXFdb4OLOJS_kYNtMmZ1shUlYZa/s200/Point+of+No+Return.jpg" width="140" /></a></div>
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Point of No Return was an enjoyable read. It starts off with a fast paced back story to the investigation concerning Digby, a young man contemplating suicide following an accident which kills his friend. He subsequently hangs himself in front of the house of the man, James Palmer, he blames for causing the accident. The suspense during this opening section was almost unbearable and the character of Digby, drew me in.</div>
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The main part of the story takes place two years later when James Palmer is being stalked and harassed by ever increasing violent incidents concerning himself and his family. This part settles into a cosy investigation by DI Hatherill and his colleague Fiona. They follow a trail of mystifying clues until the final resolution is reached after life threatening scene involving DI Hatherill.</div>
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I enjoyed this book, it was a satisfying read.</div>
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Chris Longmuirhttp://www.blogger.com/profile/02488093821886798927noreply@blogger.com0tag:blogger.com,1999:blog-1759760031021894448.post-25138358682447827672016-06-30T22:30:00.000+01:002016-07-01T09:33:17.706+01:00Beloved Old Age - and what to do about it, by Julia Jones and Margery Allingham (publ. Golden Duck)<div class="separator" style="clear: both; text-align: center;">
<a href="https://images-na.ssl-images-amazon.com/images/I/61qMQNvGgSL._SX314_BO1,204,203,200_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://images-na.ssl-images-amazon.com/images/I/61qMQNvGgSL._SX314_BO1,204,203,200_.jpg" width="202" /></a></div>
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<span style="font-size: large;">This is a really <a href="https://www.amazon.co.uk/Beloved-Old-Age-What-About-ebook/dp/B01GQTBOAS/ref=sr_1_1?s=books&ie=UTF8&qid=1467319681&sr=1-1&keywords=beloved+old+age" target="_blank">unusual book </a>which defies genre boundaries, usually a recommendation in itself. Julia Jones is the biographer of Golden Age crime queen Margery Allingham and as such, has been lucky enough to be entrusted with access to her documents. Among them was an oddity, Allingham's very last book, unpublished, and a departure from her popular murder mysteries. 'The Relay' is about ageing, the problems of ageing, and how to deal with them within the family. Julia Jones has prepared this book for publication but added an enriching layer to it, in interweaving her own account of living with her mother's dementia and the changes it dictates to their and their family's lives. How to deal with ageing - now a hot topic with greater longevity, though there were plenty of tough old birds male and female who'd survived childhood infections and went on living a long long time. Margery had a very highly developed sense of responsibility and though a highly successful novelist, she ended up supporting a useless git of a neither use nor ornament husband and various other family members and hangers-on, while writing her heart out to outrun tax demands and keep them all in the style to which they felt entitled to become accustomed. Still, she never seems to have considered ditching the old dears but ended up evolving a system to enable 'the relay' to continue. By this she means, allowing the experience, wisdom, stories and any other accumulated life material to be absorbed into the family before the old depart.</span><br />
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<span style="font-size: large;">Uniquely in my experience, she writes of looking after one's own family oldies as a privilege, and a vital part of the family, not just a duty or a burden, though she acknowledges the enormous stresses involved. Poor Margery seems to have had a nasty mother who enjoyed putting her down, but even she gets taken in. So Margery and her sister set up a home for their mother, and two aunts, in a cottage over the road. Margery calls this system a 'dower house' system which nowadays makes it all sound very posh and upper class, but she was referring to an old tradition whereby the older generation live out their days in a nearby house, with support from family. What we'd now perhaps call a 'granny annex' which is patronising rather than posh, not much of an improvement vocab-wise. With great honesty, she describes how to set up such a system - it's vital to have someone professional looking after them, a housekeeper/home help, to take some of the personal stress from family. I was much struck with the points she made, back then when almost everyone had servants who wasn't one, that this person's salary should be the largest part of the expenditure by far, and they should have adequate time off covered by family members. So many people now who work caring for elderly people are on minimum wage. We have no respect for carers either family struggling alone or paid carers.</span><br />
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<span style="font-size: large;">This would be interesting in itself as a book, but Julia Jones has added her own experiences and her personal responses to her own 'relay race' with her mother in journal-like entries which comment on Margery's writing too. Many many of us have had to cope with forms of dementia and other disabilities in our older loved ones. Julia writes with searing honesty of when she struggles to cope, when she loses patience, and also of the joys and humour and special moments of intimacy they share. Julia has been co-running 'John's Campaign' with Nicci Gerrard, to fight for the rights of those with dementia to have family or carers with them in hospital to preserve their identities and care for them properly. We still have a long way to run in this race, and this book is fascinating, moving, beautifully written by both Margery and Julia, and really thought-provoking. Sadly, Margery died aged just over 60, worn out, and so didn't become the dowager herself, but her writing passes on the baton of her creativity and thoughts to us now that Julia Jones has written this book and edited Margery's part of it.</span><br />
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<span style="font-size: large;">I kept wanting to carry on the 'relay', reply to Julia's meditations on Margery's chapters sparked memories of how I coped with my mother's dementia and the research I did into neuroscience to write poetry about it. Perhaps the book could be blogged one day with the facilities for people to add their own wisdom and experience of being old, and being the next one down waiting for the baton. Claudia Myatt who designed the beautiful cover wrote a very moving song about Julia's mum, and so we share our voices and our experiences and express them in art.</span><br />
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<span style="font-size: large;">Valerie Laws</span>Lydia Bennethttp://www.blogger.com/profile/09328239009863878547noreply@blogger.com0